Classical literature; Knowledge, Theory of -- Early works to 1800
'First reminding you that I am not the bag which contains the arguments,
but that I extract them from Theaetetus, shall I tell you what amazes me
in your friend Protagoras?'
'What may that be?'
'I like his doctrine that what appears is; but I wonder that he did
not begin his great work on Truth with a declaration that a pig, or a
dog-faced baboon, or any other monster which has sensation, is a measure
of all things; then, while we were reverencing him as a god, he might
have produced a magnificent effect by expounding to us that he was no
wiser than a tadpole. For if sensations are always true, and one man's
discernment is as good as another's, and every man is his own judge,
and everything that he judges is right and true, then what need of
Protagoras to be our instructor at a high figure; and why should we
be less knowing than he is, or have to go to him, if every man is the
measure of all things? My own art of midwifery, and all dialectic, is
an enormous folly, if Protagoras' "Truth" be indeed truth, and the
philosopher is not merely amusing himself by giving oracles out of his
book.'
Theodorus thinks that Socrates is unjust to his master, Protagoras; but
he is too old and stiff to try a fall with him, and therefore refers him
to Theaetetus, who is already driven out of his former opinion by the
arguments of Socrates.
Socrates then takes up the defence of Protagoras, who is supposed to
reply in his own person--'Good people, you sit and declaim about the
gods, of whose existence or non-existence I have nothing to say, or you
discourse about man being reduced to the level of the brutes; but what
proof have you of your statements? And yet surely you and Theodorus had
better reflect whether probability is a safe guide. Theodorus would be
a bad geometrician if he had nothing better to offer.'...Theaetetus is
affected by the appeal to geometry, and Socrates is induced by him to
put the question in a new form. He proceeds as follows:--'Should we say
that we know what we see and hear,--e.g. the sound of words or the sight
of letters in a foreign tongue?'
'We should say that the figures of the letters, and the pitch of the
voice in uttering them, were known to us, but not the meaning of them.'
'Excellent; I want you to grow, and therefore I will leave that answer
and ask another question: Is not seeing perceiving?' 'Very true.' 'And
he who sees knows?' 'Yes.' 'And he who remembers, remembers that which
he sees and knows?' 'Very true.' 'But if he closes his eyes, does he not
remember?' 'He does.' 'Then he may remember and not see; and if seeing
is knowing, he may remember and not know. Is not this a "reductio ad
absurdum" of the hypothesis that knowledge is sensible perception? Yet
perhaps we are crowing too soon; and if Protagoras, "the father of the
myth," had been alive, the result might have been very different. But he
is dead, and Theodorus, whom he left guardian of his "orphan," has not
been very zealous in defending him.'
Public-domain text, read in full here on John Shaqi.
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