Classical literature; Knowledge, Theory of -- Early works to 1800
This distinction between use and possession saves us from the absurdity
of supposing that we do not know what we know, because we may know in
one sense, i.e. possess, what we do not know in another, i.e. use. But
have we not escaped one difficulty only to encounter a greater? For how
can the exchange of two kinds of knowledge ever become false opinion?
As well might we suppose that ignorance could make a man know, or that
blindness could make him see. Theaetetus suggests that in the aviary
there may be flying about mock birds, or forms of ignorance, and we
put forth our hands and grasp ignorance, when we are intending to grasp
knowledge. But how can he who knows the forms of knowledge and the forms
of ignorance imagine one to be the other? Is there some other form of
knowledge which distinguishes them? and another, and another? Thus we go
round and round in a circle and make no progress.
All this confusion arises out of our attempt to explain false opinion
without having explained knowledge. What then is knowledge? Theaetetus
repeats that knowledge is true opinion. But this seems to be refuted by
the instance of orators and judges. For surely the orator cannot convey
a true knowledge of crimes at which the judges were not present; he
can only persuade them, and the judge may form a true opinion and truly
judge. But if true opinion were knowledge they could not have judged
without knowledge.
Once more. Theaetetus offers a definition which he has heard: Knowledge
is true opinion accompanied by definition or explanation. Socrates has
had a similar dream, and has further heard that the first elements are
names only, and that definition or explanation begins when they are
combined; the letters are unknown, the syllables or combinations
are known. But this new hypothesis when tested by the letters of the
alphabet is found to break down. The first syllable of Socrates' name
is SO. But what is SO? Two letters, S and O, a sibilant and a vowel,
of which no further explanation can be given. And how can any one
be ignorant of either of them, and yet know both of them? There is,
however, another alternative:--We may suppose that the syllable has a
separate form or idea distinct from the letters or parts. The all of the
parts may not be the whole. Theaetetus is very much inclined to adopt
this suggestion, but when interrogated by Socrates he is unable to
draw any distinction between the whole and all the parts. And if the
syllables have no parts, then they are those original elements of which
there is no explanation. But how can the syllable be known if the letter
remains unknown? In learning to read as children, we are first taught
the letters and then the syllables. And in music, the notes, which
are the letters, have a much more distinct meaning to us than the
combination of them.
Public-domain text, read in full here on John Shaqi.
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