Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
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Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
A visit to the dressing-tent of the circus will be equally barren
of appreciable results. He can see the dazzling costumes, the
shapely limbs of the females, the gaily-caparisoned steeds, the red
gold-laced coats of the supers, and a chaotic heaping up of a number
of indescribable articles, but behind the canvas screen that divides
the tent lie secrets that he must not attempt to penetrate, for there
are the lives, the lies and the fascinations of the performers.
There, awkward limbs receive their roundly shaping, and old age,
by a magic touch with the elixir of the "make-up" box, puts on the
masquerading bloom of youth. The same might, to some extent, be said
of the dressing-rooms of the theatre, only the application could not
be as wide or general as in the circus profession, for the lives these
people lead soon lay waste their beauty if they happen to be young,
and crowd senility upon them long before the usual time. Their work is
always hard, their surroundings are of the very worst kind, they grow
up in an atmosphere of fraud, and they necessarily learn early the
arts of deception whereby their employers make fame and fortune. But
I have taken a stranger into the dressing-tent, and I must not abuse
the hospitality of the place by exposing its sins in his presence. The
stranger is introduced all around, shakes hands with everybody, even
the premiere equestrienne, or, perhaps, the charming and daring little
lady who is twice daily shot out of a cannon, and besides makes two
headlong dives a day from the dome of the tent into the net spread
beneath. All are glad to see him, and he is surprised to find that
the two Indians who juggle fire-brands and do other feats not at all
consistent with the traditions of the aborigines, have not sufficient
savage blood in their veins to make respectable cigar store signs, but
are base counterfeits of the noble red man, applications of chocolate
and vermilion to their faces, and the usual accompaniment of black
hair, feathers, and deerskin clothing having bestowed upon them all the
air of the child of the forest that they possessed. As the band sounds
the music for the riding act the equestrienne's horse dashes tamely
into the ring, and the gentlemanly agent of the show pushes the visitor
out to have him "look at an act that beats anything of the kind in the
world."
Public-domain text, read in full here on John Shaqi.
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