Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
The property-room of a Chinese theatre is a very queer concern, filled
up with lanterns, old clothes, spears, etc., but the most extraordinary
feature of the place is the quantity of eatables that find their
way into the room and down the throats of the performers. That most
delicious morsel, roast pig, of whose discovery by the Celestials
Charles Lamb has written so charmingly, occupies a prominent place on
the board, and is frequently attacked by the actors, who appear to
come off the stage as hungry as six-day go-as-you-please pedestrians
are when they leave the track. When the Chinese actor is not acting or
putting on his costume you may depend upon it that he is eating. This
histrionic peculiarity is strongly marked among the descendants of
Ho-Fi, who if they are not good tragedians have first-class appetites
and stomachs whose capacity is not measured by three meagre meals a day.
A correspondent writing from Yokohama gives an idea of the amusements
served up in the Japanese capital by its enterprising theatrical
managers. The Japanese, says this writer, are a theatre-going
people, and their taste is catered unto continually. Whether the
managers accumulate riches I know not, but theatrical amusements are
provided for the wants and means of all classes. At the first-class
establishment is a revolving stage, upon which is placed the scenery
and properties devoted to the play on the boards. The orchestra
occupy the left-hand side of the stage, or rather they are placed
in an elevated pen at the left of the stage floor. The revolving
part of the business is about fifteen feet from the foot-lights, the
intervening space being permanent. The wings are not elaborate, and
not much machinery is employed to work up effects. The inevitable trap
is utilized on this stage, it being the only place that boasts of the
improvement. The actors at this theatre are of the first rank, and
their dresses are gorgeous in the extreme. "Regardless of expense" must
be their motto; and here are produced all the famous plays known to the
natives, they being all of national significance.
Public-domain text, read in full here on John Shaqi.
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