Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
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Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Those who have never witnessed the rehearsal of a minstrel company can
have but a very faint idea of the amount of worry and vexation to which
the manager is subjected before he becomes satisfied that the company
has mastered the work so that it is in a condition to present to the
public. The scene at a dramatic rehearsal is the scene of perfect peace
and harmony compared with that of a minstrel company. The difference
is caused by the fact that dramatic performers study their lines and
business carefully, and have the idea constantly before them that
they must adhere to the text and the author's ideas closely, while
minstrels, or "nigger singers" as they are called by members of the
profession, work with only one end in view, and that is, to be funny.
A minstrel having a speech of a dozen lines will make it twenty-five
times and never make it twice alike. Every time he speaks it he will
drop out something or insert something which the author did not intend
to be there. The result is that a manager superintending a rehearsal is
in hot water, figuratively, all the time. If he storms and swears at
the performers, he only makes matters worse, and, therefore while he
is inwardly boiling with vexation he must retain a calm exterior and
appear as smiling as a June morning. There have been well authenticated
cases where minstrel managers have been driven to strong drink by the
intense strain upon their mental faculties occasioned by superintending
rehearsals. These cases, however, are rare.
Public-domain text, read in full here on John Shaqi.
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