Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Through the courtesy of Manager J. A. Gulick, I had the pleasure, last
spring, of witnessing a rehearsal of Haverly's Mastodon Minstrels. I
took a seat under the shadow of the balcony to watch developments, and
passed ten or fifteen minutes in inspecting the dull, dismal aspect of
the house. Everything was quiet and oppressively sombre. Occasionally
a scrub woman who was working a broom in the dress circle would bark
one of her shins against one of the iron chair-frames and sit down and
howl in a subdued tone, but beyond this there was nothing to break the
stillness until the members of the company began to arrive. Presently
the orchestra came in and began to tune up their instruments to a
condition proper for the promulgation of sweet strains, and then the
comedians and singers came sauntering in on the stage. Apparently, the
first duty of each and every one of them upon getting out of the wings,
was to execute a shuffle, cock his hat over his left eye and swagger
off up the stage with a satisfied smile. Each having been successfully
delivered of his matutinal shuffle, and having satisfied himself that
he hadn't contracted the "string-halt" during the night, all seated
themselves and awaited the appearance of the manager. Divested of
their burnt cork and stage toggery, the company looked more like a
collection of well-to-do young men in the commercial walks of life than
minstrel performers. All looked as if they had passed a comfortable
night, and had not indulged in those revels which are erroneously
supposed to be inseparable from the life of a minstrel. Consequently I
was bound to conclude that they had said their prayers at 11:30, and
at midnight were snoring the snores of the innocent and blessed. The
only member of the company who looked as if he might have gone wrong
on the previous night was Frank Cushman. His right eye was bloodshot,
and he had a protuberance on his forehead over the optic such as might
be raised by the kick of a mule. His condition was afterward explained
by the fact that in attempting to make a "funny fall" in "Uncle Tom's
Cabin," on the night previous, he had made a miscue and had received a
genuine fall, striking on his head. Suspicion was therefore allayed,
and I became satisfied that Cushman, too, had said his prayers and had
gone regularly to bed unloaded.
Promptly at eleven o'clock, the hour set for rehearsal, Manager Gulick
arrived and proceeded at once to business by delivering an address to
the orchestra leader:--
"Now we don't want any break in this first part finish to-night.
You want to make that first chorus very forte and then work it off
gradually very piano. Then when they all come on you want a short wait
and then a crash--see?"
The leader nodded to indicate that he saw.
"Then," resumed Mr. Gulick, "when you hear the pistol fired, work in
that te um iddle de te um ah tiddle um tiddle tah--see?"
The leader again saw, and the manager continued:
Public-domain text, read in full here on John Shaqi.
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