Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
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Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
The Irish comedian, and especially the eccentric gentleman who hails
from the North of Ireland, has multiplied so rapidly of late that
the stock of jokes with which the original North of Ireland comedian
started out many years ago has been turned over thousands of times,
and occasionally a modern audience actually cry when they are made
parties to the ghoulish crime of resurrecting the dead and buried gags.
It is my intention to here present the picture of a team of North of
Ireland comedians, and give an idea of the manner in which they amuse
their audiences; for some of the people who go to the theatre are so
guileless and so easily tickled that they find themselves greatly
amused by a dialogue teeming with ancient Hibernianisms. The stories
chosen are invariably of the most vulgar and disgusting character,
abounding in references and suggestions that would not be listened
to outside of the theatre. The peddlers of these rare bits of stage
humor choose all manner of make-ups to set off their stock in trade.
A gorgeous plaid suit with baggy trousers and short coat topped by a
high white hat, and the outfit completed with a cane; or a wardrobe
consisting of a semi-respectable thin-sleeved, square-tailed frock
coat and high-water broadcloth pants, with polished and towering
stove-pipe hat; or a hod-carrier's rig; or any half-idiotic attempt to
duplicate a workingman's get-up--a "gas-house tarrier," who tells you
about Micky Duffy having got a job to wheel out smoke or to suck wind
from bladders,--any of these may be chosen. The clothes may differ,
but the jokes, the "business," and the facial pictures will always be
found the same. Canes and stove-pipe hats--white or black--are even
more necessary for the success of an Irish comedian than is talent
of any kind; the canes are used for thumping the floor of the stage,
and the stove-pipe hats for banging each other in the face, for this
class of comedians always travel in pairs. There is a great deal of
floor-thumping and hat-slapping in one of their acts, and among the
rough acrobatic aspirants to fame the feet are freely used upon each
other, and there is a reckless lot of falling and tumbling in breakneck
style upon the stage.
Public-domain text, read in full here on John Shaqi.
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