Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
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Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
In making up his face the Irish comedian generally likes to indulge
in a shrubbery of beard around the neck under either a clean shaven
or stubble-strewn chin; if he aims at anything like decency in his
appearances he will affect only brushy side-whiskers. A red expression
around the nose and under the eyes, and a red or black wig to match
his special eccentricity, complete his needs in this respect. The two
specimens of Irish comedians that I have chosen for presentation here
were of the alleged neat type in their profession. They were travelling
with Tony Pastor when I saw them, and in their outward aspect greatly
resembled Harry and Johnny Kernell. They were credited with holding a
high position in their particular line, and their names were on the
walls and fences in letters a foot long; in addition to this they came
on late in the programme, which is always a sure indication of the
importance of the estimate placed on an act or artist by the management.
But here comes one of them. The Stein Sisters have just finished a
song-and-dance, "the flat," for the street scene comes together, the
orchestra with a wild flourish of bass drum and cornet strikes up a
familiar Irish melody, and, after a few bars, one of the comedians
enters. He is tall, wears a gray woollen suit of fashionable cut, a
hat that never in the world would sit on an Irish head; a red-haired
wig, partly bald, is secured under the hat; gaiters with black
over-gaiters clothe the feet, and the face is smooth and genteel,
except upon the chin, whence a long thin beard protrudes like a
plowshare. An ordinary twenty-five-cent cane puts the finishing touches
to his wardrobe. He looks like a hack-driver out for a holiday, or a
Kerry Patch politician dressed for a Skirmishing Fund picnic. He faces
the audience from the middle of the lower part of the stage as boldly
as if he were going to entertain them with something new. He pretends
to be angry, and when the music has ceased, begins to pace wildly up
and down the front of the stage, as he shouts regardless of all the
rules of common sense and elocution:--
"The oidea av callin' me a tarrier! Why a Spanyard can't walk the
shtreets nowadays widout bein' taken for a Mick or a tarrier!"
Public-domain text, read in full here on John Shaqi.
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