Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
th' other day an' hit him in th' eye; I tuck him to an occulist who
tuck the eye out an' laid it on a table; be heavens, a cat kem along
an' swallied the eye. [Smiles.] The docthor tould me to kum around
next day, an' I tuck the b'y wid me. The occulist had cut out wan av
his cat's eyes, an' he puts it into the b'ys head. [Audible smiles.]
Now the b'ys doin' fust rate, only whin he goes to bed at noight wan
eye stez open an' keeps roamin' around fur rats. [Laughter.] Gilligan
has got two b'ys. Wan av thim hasn' spint a cint fur two year; he'll
be out (of prison) in October. [Laughter.] The other b'y will make his
mark in the world; in fact he med his mark on me the other noight. He
put a tack on a chair with the belligerint ind to'rds me, an' whin I
wint to sit down I got up ag'in very suddintly. I don't care how ould
a man is, or how tired he is, whin he sits down on the belligerint ind
av a tack he is bound to assoom agility an' youthfulness. [Laughter.]
It may be but a momentary assumption, but the agility is always there.
The other mornin' I intered a friend's salune. There war grape shkins
on the flure, an' I sez to him, 'How do ye do, Mr. Cassidy? I see you
had a party last night.' 'What makes you think so?' sez he. 'Because I
see the grape shkins on the flure,' sez I. 'Thim's not grape shkins,'
sez he; 'thim's eyes. Some of the b'ys hed a fight here lasht noight an'
you're now surveyin' the battle-field.' [Laughter.] But I was expectin'
a friend av moine down here, Levi McGinnis. Ah, here he comes. Levi,
how are you?"
"I'm well, Solomon," says the other, who has come on the stage and is
shaking hands with Solomon. "What kept you so quick?"
"I'd been here sooner," is the smart response, "only I couldn't get
down any later."
"It waz a very wet winther we had lasht winther, Solomon?"
"Yes. Did you buy any rubbers yet this year?"
"Not this year."
"Goodyear."
"Where did you go when you left me th' other noight?" Levi continues.
"I went down to the maskeerade ball."
"I heard you was there. They put you out because you wouldn't take your
mask off after 12 o'clock."
"But I didn't have any mask on. It waz me own face."
"That's what I tould them," says Levi, "but they wouldn't belave me."
This raises a laugh. Solomon looks for a moment with astonishment at
Levi, then thumps his cane against the floor in an angry manner, and
walks in a circle around the stage as if terribly disgusted at having
allowed himself to be sold. This look, cane-thumping and walk-around
are stereotyped Hibernianisms, and are introduced at the end of each
"sell." As Solomon O'Toole gets sold all the time this end of the
business is as exclusively his as if he had a patent on it.
Public-domain text, read in full here on John Shaqi.
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