Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
The Indian box-and-basket trick was for a long time a mystery even
among magicians, and now it puzzles astute people to understand how
the young man or young woman who has been tied in a sack and placed
under lock and key in a wicker basket on top of a box not only locked
and sealed but tied in all directions with stout rope, can get out of
the sack and basket and into the box within very few minutes. In 1873
Barnum paid £1,000 to a London trickster for the so-called mystery.
This extraordinary feat which puzzled the knowing ones for so long
a time was explained to me once by a magician, and will be found so
simple as to astonish those who read the explanation.
[Illustration: _Fig. 1._]
[Illustration: _Fig. 2._]
[Illustration: _Fig. 3._]
The magician begins by announcing the trick; he then brings on the
stage a large wooden box-like trunk (Fig. 1) with hinges and hasps
on it. A committee is generally called from the audience to examine
the box to see that there is no deception in its apparent stoutness.
They look it over and over and discover nothing. They then lock the
box, retain the keys, and stop up the key-holes with sealing-wax.
The committee also, amid the shouts of the audience to "tie it up
tight," wind rope around the box in all directions, making innumerable
knots and using every effort to secure the box firmly. Then on top of
the box is placed a board about as wide as the lid of the box, and
on the opposite ends of which are heavy plate staples. (Fig. 2.) The
magician's assistant now steps to the foot-lights and is introduced
to the crowd he, or she, is to astonish. A sack is brought forward,
the assistant lightly mounts to the board on top of the box, gets
into the sack, within which there is generally a stool, so that the
person inside may sit down. The magician begins to tie up the sack; he
gathers the top of it in his hands, and in the meantime the assistant
thrusts through the opening a portion of another sack, and with his
hands over his head holds in place the gathered end of the sack in
which he is concealed while the magician ties a rope around the false
end. The basket is a high, conical-shaped wicker affair, with a heavy
ring around its mouth and two large staples at opposite sides. (Fig.
3.) When the basket is placed over the assistant, the staples in its
ring fit exactly over those on the board above the box; padlocks are
passed through the staples and locked, the committee hold the key, and
sealing-wax is again applied to the keyhole. The trick is now ready,
the magician draws a screen across to hide the box and basket from the
audience, and usually within two minutes the signal is given that the
feat has been accomplished. Sometimes this signal is a pistol shot; at
other times a whistle. The screen is thrown aside, the seals on the
locks are unbroken; everything is in exactly the position in which the
committee left it, the ropes remain securely tied, seem undisturbed,
Public-domain text, read in full here on John Shaqi.
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