Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
and on opening the box, which is still stout and innocent-looking as
ever, the assistant tumbles out and the trick comes to an end amid the
wild plaudits of the audience and an occasional uncomplimentary hoot at
the committeemen.
[Illustration: _Fig. 4._]
How is it done? The simple-looking contrivance that forms the
foundation of the mystery is nothing more or less than a trick-box.
Along the edges of the front, back and ends are fastened stout battens,
as can be seen in the cut. These battens are screwed to the boards
which form the upper part of the box. The lower boards at front and
back and both ends are simply sliding panels. The parts of these panels
which come directly behind the battens are filled with iron plates
pierced with holes of the shape to be seen in Fig. 4. The screws on the
lower parts of the batten are dummies--that is, they go only partly
through the battens, and do not reach the panels. On the inner sides
of the battens are iron plates, each carrying a stud, so that when the
parts of the panel plates marked _A_ come directly opposite the studs
of the battens, the panel, if pressed or pushed, will fall inside the
box; but if the studs be pressed through _A_, and the panels shoved
along so that the shanks of the studs slide through the slatted parts,
_B_, the panels will be locked securely. The unsuspicious air-holes you
see in the panels are there for a purpose; the performer uses them to
give him a purchase, so that either with his fingers or by means of a
small iron rod he may slide the panels backward or forward.
[Illustration: _Fig. 5._]
There is another piece of trickery in the construction of the board
that rests on the box and upon which the basket is placed. The plate
staples are "crooked;" that is, the staples are not of a piece with the
plates, but are separate; they are made with a shoulder, and on each of
the ends which fit tightly into holes through the plates, there is an
oval-shaped hole, as shown in Fig. 5. Inside the board are two double
bolts which pass through these holes and keep the staples in place. The
person under the basket passes a thin steel blade between the boards
and slides back the bolts at one end. He then lifts the basket, and
with it the staple. Once outside the basket he replaces it against
the staple in the plate, pushes it down, its rounded ends acting like
wedges to pushing the bolts back, which come together again through the
oval holes of the staple, locking it firmly to the board again. All
that remains to be done, then, is to slide the panel of the box, push
it in, creep through the closely woven ropes and inside the box, put
the panel back in its place and the trick is at an end.
Public-domain text, read in full here on John Shaqi.
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