Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
While the company was still in New York, Manager Hallam was endeavoring
to come to terms with the Quakers of Philadelphia, who strenuously
objected to having players in their midst, or to allowing stage
representations in their city. Mr. Malone, a member of the company, was
at length sent on to the Quaker City, as Hallam's ambassador, and after
considerable trouble succeeded in obtaining Gov. Hamilton's permission
to present twenty-four plays and their attendant farces provided there
was nothing indecent or immoral in them. In April, 1754 the company
gave its first performance in Philadelphia, playing the tragedy of
"The Fair Penitent," and the farce, "Miss in Her Teens." The building
occupied by the actors is designated by William Dunlap, the historian
of the early American theatre, as "the store-house of a Mr. Plumstead,"
and was situated "on the corner of the first alley above Pine Street."
After the twenty-four performances had been given by "authority of his
excellency," Gov. Hamilton, the players were allowed to add six more
nights, after which they returned to New York. Here they erected a
theatre on Cruger's wharf, between Old Slip and Coffee House Slip, and
prospered.
Boston did not have a theatre until 1792, and then got its first place
of amusement only because Wignell and three other members of Hallam's
company, for some reason or other, seceded from it. The seceders
brought to their standard some money men of the Hub, a building was
erected, and on August 10, 1792, the first show was given; feats on
the tight rope and acrobatic and other artists contributing to the
entertainment. Five years later New York had two theatres, one on the
Johns, and the other on Greenwich Street, and when the nineteenth
century began, amusements were in a flourishing condition in all the
large cities of the country, and the theatre had taken firm root and
gave full promise of its present prosperity in the New World.
Public-domain text, read in full here on John Shaqi.
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