Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
In the large theatres of Eastern cities the cerberus who guards the
stage entrance generally has a little sentry box just inside the door,
with a window cut in it, a stove placed inside in cold weather, a
number of pigeon-holes for letters, and indeed all modern conveniences,
as the saying goes. Here he sits and smokes, hailing everybody who
passes in and saying a kind or snarling word to all who pass out. If
the mail has brought a letter for any member of the company, or a
"masher" has sent one of the girls a dainty little note expressive
of the sentiment that is swelling in his twenty-six-inch bosom, the
cerberus will have it, and will hand it out to the person for whom it
is intended with an appropriate and not always complimentary remark
about it. Sometimes this guardian of the theatric arcana will take
advantage of his position to tyrranize over the ballet girls and
other subordinates of a company, and will rule in his autocratic way
to his own pecuniary and other profit. In the East he is made a kind
of time-keeper, notes when the performers appear for duty and when
they are absent, besides otherwise making himself serviceable to the
management and careful of the interests of his house.
A story is told about one of them--I think his name was Bulkhead--who
was employed at a theatre where the ballet was large, and the girls
paid very liberal tribute to him. They gave him silk handkerchiefs
of the prettiest and most expensive kind to wipe his fantastic mug
on; they paid for innumerable hot drinks with which he rounded out
the waist of his pantaloons; they dropped cigars into his always
outstretched paw, and otherwise drained their own resources to make
Mr. Bulkhead as happy and comfortable as possible. He, at first, took
whatever was offered, but soon grew bold, and demanded fifty cents each
of their little five dollars a week, every salary day. The girls made
up their minds not to accede to this demand, which they deemed unjust
and exorbitant; they not only positively refused to give Bulkhead any
money, but would give him nothing else, not even a two-cent cigar. As
a result, about one-half of the girls forfeited a portion of their
salaries next pay-day. This aroused all the fury there was in the
entire ballet, and when they found out, too, that Bulkhead had driven
away their male admirers they were as wild as so many hyenas. It did
not take long for them to hit upon a means of wreaking vengeance upon
the heartless and unscrupulous door-keeper. They clubbed together what
change they had and got Bulkhead boiling drunk; by the time the show
was over on that (to him) memorable night he did not know which way
to look for Sunday. After the final curtain had fallen and the lights
were dimmed, Bulkhead sat at the door on his stool swaying like an
unsteady church-steeple and snoring like an engine when its boiler is
nearly empty. The girls picked him up and carried him into a remote
Public-domain text, read in full here on John Shaqi.
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