"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3) — John Shaqi
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
that the theology of the preacher must be a little out of gear,
seeing that he openly denounces a vocation which is not condemned in
Scripture!
[Illustration: (Nathaniel Field.)]
Field, the champion of his craft in the early part of the seventeenth
century, was one of the dozen actors to whom King James, in 1619,
granted a licence to act comedy, tragedy, history, &c., for the
solace and pleasure of his Majesty and his subjects, at the Globe,
and at their private house in the precincts of Blackfriars. This
licence was made out to Hemings, Burbage, Condell, Lowen, Tooley,
Underwood, Field, Benfield, Gough, Eccleston, Robinson, Shancks,
and their associates. Their success rendered them audacious, and,
in 1624, they got into trouble, on a complaint of the Spanish
ambassador. The actors at the Globe had produced Middleton's "Game at
Chess," in which the action is carried on by black and white pieces,
representing the Reformed and Romanist parties. The latter, being
the rogues of the piece, are foiled, and are "put in the bag." The
Spanish envoy's complaint was founded on the fact that living
persons were represented by the actors, such persons being the King
of Spain, Gondomar, and the famous Antonio de Dominis, who, after
being a Romish bishop (of Spalato), professed Protestantism, became
Dean of Windsor, and after all died in his earlier faith, at Rome. On
the ambassador's complaint, the actors and the author were summoned
before the council, but no immediate result followed, for, two
days later, Nethercole writes to Carleton, informing him that "the
comedy in which the whole Spanish business is taken up, is drawing
£100 nightly." At that time, a house with £20 in it was accounted a
"good house," at either the Globe or Blackfriars. Receipts amounting
to five times that sum, for nine afternoons successively, may be
accepted as a proof of the popularity of this play. The Spaniard,
however, would not let the matter rest; the play was suppressed, the
actors forbidden to represent living personages on the stage, and the
author was sent to prison. Middleton was not long detained in durance
vile. James set him free, instigated by a quip in a poor epigram,--
"Use but your royal hand, 'twill set me free!
'Tis but removing of a man--that's me."
A worse joke never secured for its author a greater boon--that of
liberty.
Public-domain text, read in full here on John Shaqi.
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