"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
The actors could not comprehend why their office was suppressed,
while the bear-baiters were putting money in both pockets, and
non-edifying puppet-shows were enriching their proprietors. If
Shakspeare was driven from Blackfriars and the Cockpit, was it fair
to allow Bel and the Dragon to be enacted by dolls, at the foot of
Holborn Bridge? The players were told that the public would profit
by the abolition of their vocation. Loose young gentlemen, fast
merchant-factors, and wild young apprentices were no longer to be
seen, it was said, hanging about the theatres, spending all their
spare money, much that they could not spare, and not a little which
was not theirs to spend. It was uncivilly suggested that the actors
were a merry sort of thieves, who used to attach themselves to the
puny gallants who sought their society, and strip them of the gold
pieces in their pouches, the bodkin on their thighs, the girdles
buckled to give them shape, and the very beavers jauntily plumed to
lend them grace and stature.
In some of the streets by the river-side a tragedy-king or two found
refuge with kinsfolk. The old theatres stood erect and desolate, and
the owners, with hands in empty pockets, asked how they were to be
expected to pay ground-rent, now that they earned nothing? whereas
their afternoon-share used to be twenty--ay, thirty shillings, sir!
And see, the flag is still flying above the old house over the
water, and a lad who erst played under it, looks up at the banner
with a proud sorrow. An elder actor puts his hands on the lad's
shoulder, and cries: "Before the old scene is on again, boy, thy
face will be as battered as the flag there on the roof-top!" And as
this elder actor passes on, he has a word with a poor fellow-mime
who has been less provident than he, and whose present necessities
he relieves according to his means. Near them stand a couple of
deplorable-looking "door-keepers," or, as we should call them now,
"money-takers," and the well-to-do ex-actor has his allusive joke at
their old rascality, and affects to condole with them that the time
is gone by when they used to scratch their neck where it itched not,
and then dropped shilling and half-crown pieces behind their collars!
But they were not the only poor rogues who suffered by revolution.
That slipshod tapster, whom a guest is cudgelling at a tavern-door,
was once the proudest and most extravagantly-dressed of the
tobacco-men whose notice the smokers in the pit gingerly entreated,
and who used to vend, at a penny the pipeful, tobacco that was not
worth a shilling a cart-load. And behold other evidences of the
hardness of the times! Those shuffling fiddlers who so humbly peer
through the low windows into the tavern room, and meekly inquire:
"Will you have any music, gentlemen?" they are tuneful relics of the
band who were wont to shed harmony from the balcony above the stage,
and play in fashionable houses, at the rate of ten shillings for each
hour.
Public-domain text, read in full here on John Shaqi.
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