"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Through a course of Mysteries, Miracle-plays--illustrating Scripture,
history, legend, and the sufferings of the martyrs,--Moralities,
in which the vices were in antagonism against the virtues, and
Chronicle-plays, which were history in dialogue, we finally arrive
at legitimate Tragedy and Comedy. Till this last and welcome
consummation, the Church as regularly employed the stage for
religious ends, as the old heathen magistrates did when they made
village festivals the means of maintaining a religious feeling
among the villagers. Professor Browne, in his _History of Greek
Classical Literature_, remarks:--"The believers in a pure faith can
scarcely understand a religious element in dramatic exhibitions. They
who knew that God is a spirit, and that they who worship Him must
worship him in spirit and in truth, feel that His attributes are too
awful to permit any ideas connected with Deity to be brought into
contact with the exhibition of human passions. Religious poetry of
any kind, except that which has been inspired, has seldom been the
work of minds sufficiently heavenly and spiritual, to be perfectly
successful in attaining the end of poetry, namely the elevation of
the thoughts to a level with the subject. It brings God down to man,
instead of raising man to Him. It causes that which is most offensive
to religious feeling, and even good taste, irreverent familiarity
with subjects which cannot be contemplated without awe. But a
religious drama would be, to those who realise to their own minds the
spirituality of God, nothing less than anthropomorphism and idolatry.
Christians of a less advanced age, and believers in a more sensuous
creed, were able to view with pleasure the mystery-plays in which
the gravest truths of the Gospel were dramatically represented; nay,
more, just as the ancient Athenians could look even upon their gross
and licentious comedy as forming part of a religious ceremony, so
could Christians imagine a religious element in profane dramas which
represented in a ludicrous light subjects of the most holy character."
Public-domain text, read in full here on John Shaqi.
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