"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
His offended sense was further irritated by the circumstance, that
George II., by his presence, on the first night, seemed to sanction
favouritism of the enemy and the hostile church. Aggravated by
that presence, which they did not at all respect, the pit heaved
into a perfect storm, which raged the more as the old King sat
and enjoyed,--nay, laughing at the tempest! The Brunswick dynasty
was included within the aim of the hisses and execrations which
prevailed. Had Garrick followed Lacy's counsel, he would have
withdrawn the piece; but Davy was reluctant to lose his outlay,
striving to save which, he lost hundreds more. As the "spectacle"
was repeated, so was the insurrection against it; but the "quality"
interfering,--as they deemed it the _ton_ to uphold what great
Brunswick approved,--a new element of bitterness was superadded.
The boxes pronounced pit and galleries "vulgar;" and those powers
waged war the more intensely, because of the arrogance of the boxes,
whose occupants were assailed with epithets as unsavoury as any
flung at the dancers. Then ensued strange scenes and encounters.
Gentlemen in the boxes drew their swords, leaped down into the pit,
pricked about them in behalf of "gentility," and got terribly mauled
for their pains. The galleries looked on, shouting approbation,
and indiscriminately pelting both parties. Not so the fair, who
occupied the boxes. They, on seeing the champions of propriety and
of themselves, being menaced or overpowered in the pit, pointed the
offenders out to the less eager beaux who tarried in their vicinity,
and who, for their very honour's sake, felt themselves compelled to
out with their bodkins, drop into the surging pit, and lay about
them, stoutly or faintly, according to their constitutions. The
stronger arms of the plebeians carried the day; and when these had
smitten their aristocratic opponents, they celebrated their victory
with the accustomed Vandalism. They broke up benches, tore down
hangings, smashed mirrors, crashed the harpsichords (always the
first of the victims in the orchestra); and finally, charging on
to the stage, cut and slashed the scenery in all directions. Some
evidence of the improved civilisation of the audiences of this half
of the century is afforded by the circumstance that no one suggested
that the house should be set on fire. But, the pious and patriotic
rioters rushed out to Mr. Garrick's house, in Southampton Street
(now Eastey's hotel), and broke every window they could reach with
missile, from basement to garret. The hired soldiery could not
protect him; nor on their bayonets could he prop up the "Chinese
Festival," wooden shoes and popery. This affair cost him a sum of
money, the loss of which made his heart ache for many a day.
Public-domain text, read in full here on John Shaqi.
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