"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3) — John Shaqi
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
On the 10th of January, two days later, the Duke of Gloucester and
his Duchess, formerly Lady Waldegrave, were at Covent Garden, "for
the first time, in ceremony." The Duchess was confounded with the
excessive applause; turned pale, coloured, and won by her modesty,
confusion, and beauty the acclamations which the audience were
willing to spare her, on account of the apparent condition of her
health. The marriage of this pair had offended the King. The piece
selected by them was "Jane Shore," as illustrative, perhaps, of the
evils of _dishonourable_ connections between princes and ladies of
lower degree. Two nights after this visit of ceremony, the King and
Queen went in state to Drury Lane, and saw the "School for Wives." It
is only to be wondered at that numerous applicable passages in both
plays were not noticed by the applause or murmurs of the audience.
Walpole gives a pretty picture of the audience side of Drury Lane,
on the 25th of May 1780, on which night Lady Craven's comedy, the
"Miniature Picture," which had been once privately played at her own
house, was acted for the first time in public. "The chief singularity
was that she went to it herself the second night 'in _form_,' sat
in the middle of the front row of the stage-box, much dressed,
with a profusion of white bugles and plumes, to receive the public
homage due to her sex and loveliness. The Duchess of Richmond, Lady
Harcourt, Lady Edgecumbe, Lady Aylesbury, Mrs. Damer, Lord Craven,
General Conway, Colonel O'Hara, Mr. Lennox, and I were with her.
It was amazing to see a young woman entirely possess herself; but
there is such an integrity and frankness in the consciousness of her
own beauty and talents, that she speaks of them with a _naïveté_,
as if she had no property in them, but only wore them as the gift
of the gods. Lord Craven, on the contrary, was quite agitated by
his fondness for her, and with impatience at the bad performance of
the actors, which was wretched indeed; yet the address of the plot,
which is the chief merit of the piece, and some lively pencilling,
carried it off very well, though Parsons murdered the Scotch Lord
(Macgrinnon), and Mrs. Robinson, who is supposed to be the favourite
of the Prince of Wales, thought on nothing but her own charms, or
him. There was a very good, though endless, prologue, written by
Sheridan, and spoken in perfection by King, which was encored (an
entire novelty) the first night; and an epilogue that I liked still
better, and which was full as well delivered by Mrs. Abington,
written by Mr. Jekyll."
The prologue was called for a second time, at the conclusion of the
play, which was acted after the "Winter's Tale." King had long before
left the house, but though it was past midnight, the audience waited
till he was sent for from his own residence, whence he returned to
speak the address!
Public-domain text, read in full here on John Shaqi.
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