"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3) — John Shaqi
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Of Mrs. Griffith's plays not one is now remembered; but the author
and actress is remarkable for having published, as guides to young
people, the correspondence of herself and husband, before marriage,
under the title of _The Letters of Harry and Frances_; and if they
describe all the love making, the lady was not likely to have
resembled the Platonic Wife, in her own play so called, who laments,
throughout, that her husband will not be exactly what he was when he
was her lover. An incident, connected with this play, will show how
ungallant players could be to female poets, and how free they could
be with their audience. In the third act, when Powell and Holland
were on the stage, the hissing was universal; and at the end of it
the two actors thrust their heads out from behind the drop curtain,
and implored the house to damn the piece at once, and release them
from having to utter any more nonsense!
[Illustration: (Mrs. Inchbald)]
The gentle Frances Brooke's novels are better than her dramas,--save
the pretty musical farce, "Rosina," in which she has so cleverly
secularised the scriptural story of Ruth and Boaz. Unlike Mrs.
Brooke, Elizabeth Inchbald's plays are as good as her novels;--in
both, the romantic daughter of a Suffolk farmer exhibited a
skill and refinement, the latter of which she must have acquired
after the period when, a wayward and beautiful girl of sixteen, she
ran away from home, and manifested wonderful ability in framing
stories of her own, to mislead the curious. After the death of her
husband,--the "Garrick of Norwich,"--whose marriage with her was as
romantically begun as it singularly ended, she took to writing for
the stage, on which she was a respectable actress. In her plays, the
virtues are set in action; and there is much elegance in her style.
She was so successful, that a friend accused her of inculcating
sedition in "Every One Has His Fault." Sometimes, her success was
owing more to the actors than herself. King and Mrs. Jordan, as Sir
Adam and Lady Contest, in the "Wedding Day," were such a pair as have
never been _quite_ approached by their successors.
Public-domain text, read in full here on John Shaqi.
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