Theodore Savage: A Story of the Past or the FutureHamilton, Cicely
Science
Theodore Savage: A Story of the Past or the Future
Hamilton, Cicely
Apocalyptic fiction; End of the world -- Fiction; Regression (Civilization) -- Fiction; Science fiction
If the answer had been in the negative the private acquaintance between
chief and subordinate would probably have made no further progress; no
man, even when he makes use of it, is grateful for the superior
knowledge in a junior that convicts him to his face of gullibility. As
it was, the verdict was favourable and Rathbone, in the relief of
finding that he had not blundered, grew suddenly friendly—to the point
of a dinner invitation; which was given, in part, as instinctive thanks
for restored self-esteem, in part because it might interest Phillida to
meet a young man who took gimcracks as gravely as herself. The
invitation, as a matter of course, was accepted; and three days later
Savage met Phillida Rathbone.
“I’ve asked a young fellow you’re sure to get on with”—so Rathbone had
informed his daughter; who, thereupon, as later she confessed to
Theodore, had made up her mind to be bored. She threw away her prejudice
swiftly when she found the new acquaintance talked music with
intelligence—she herself had music in her brain as well as in her
finger-tips—while he from the beginning was attracted by a daintiness of
manner and movement that puzzled him in Rathbone’s daughter.... From
that first night he must have been drawn to her, since the evening
remained to him clear in every detail; always in the hollow of a glowing
fire he could summon up Phillida, himself and Rathbone, sitting, the
three of them, round the table with its silver and tall roses.... In the
centre a branching cluster of roses—all yellow, like Phillida’s
dress.... Rathbone, for the most part, good-naturedly silent, Phillida
and himself talking swiftly.... In shaded light and a solid, pleasant
comfort; ordinary comfort, which he took for granted as an element of
daily life, but which yet was the heritage of many generations, the
product of long centuries of striving and cunning invention.... Later,
in the drawing-room, the girl made music—and he saw himself listening
from his corner of the sofa with a cigarette, unlit, between his
fingers. Above all it was her quality of daintiness that pleased him;
she was a porcelain girl, with something of the grace that he associated
with the eighteenth century....
After half an hour that was sheer content to Theodore she broke off from
her playing to sit on the arm of her father’s chair and ruffle his grey
hair caressingly.
“Old man, does my noise on the piano prevent you from reading your
paper?”
Whereat Rathbone laughed and returned the caress; and Phillida
explained, for the visitor’s benefit, that the poor dear didn’t know one
tune from another and must have been bored beyond measure—by piano
noises since they came upstairs and nothing but music-talk at dinner.
“I believe we’ve driven him to the Montagu divorce case,” she announced,
looking over his shoulder. “‘Housemaid cross-examined—the Colonel’s
visits.’ Daddy, have you fallen to that?”
Public-domain text, read in full here on John Shaqi.
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