Theodore Savage: A Story of the Past or the FutureHamilton, Cicely
Science
Theodore Savage: A Story of the Past or the Future
Hamilton, Cicely
Apocalyptic fiction; End of the world -- Fiction; Regression (Civilization) -- Fiction; Science fiction
She tried to blow a smoke-ring with conspicuous ill-success, and
Theodore, watching her from his corner of the sofa—intent on her profile
against the light—heard Rathbone explaining that “against everybody
else” was hardly the way to put it, since the Federal Council was not a
happy family at present. There was very little doubt that Karthania was
being encouraged to make trouble—and none at all that there would be
difference of opinion on the subject of punitive action.... Phillida,
with an arm round her father’s neck, was divided between international
politics and an endeavour to make the perfect ring—now throwing in a
question anent the constitution and dissensions of the League, now
rounding her mouth for a failure—while Theodore, on the sofa, leaned his
head upon his hand that he might shade his eyes and watch her without
seeming to watch.... He listened to Rathbone—and did not listen; and
that, as he realized later, had been so far his attitude to interests in
the mass. The realities of his life were immediate and personal—with, in
the background, dim interests in the mass that were vaguely distasteful
as politics. A collective game played with noisy idealism and flaring
abuse, which served as copy to the makers of newspapers and gave rise at
intervals to excited conversation and argument....
What was real, and only real while Rathbone talked, was the delicate
poise of Phillida’s head, the decorative line of Phillida’s body, his
pleasure in the sight of her, his comfort in a well-ordered room; these
things were realities, tangible or æsthetic, in whose company a man, if
he were so inclined, might discuss academically an Eastern imbroglio and
the growing tendency to revolt against the centralized authority of the
League. Between life, as he grasped it, and public affairs there was no
visible, essential connection. The Karthanian imbroglio, as he strolled
to his chambers, was an item in the make-up of a newspaper, the subject
of a recent conversation; it was the rhythm of Phillida’s music that
danced in his brain as a living and insistent reality. That, and not the
stirrings of uneasy nations, kept him wakeful till long after midnight.
II
Public-domain text, read in full here on John Shaqi.
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