Theodore Watts-Dunton: Poet, Novelist, CriticDouglas, James
General
Theodore Watts-Dunton: Poet, Novelist, Critic
Douglas, James
Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Watts-Dunton, Theodore, 1832-1914
And now I must quote a passage alluding to the generalization upon
absolute and relative humour which I shall give later when discussing the
humour of Mrs. Gudgeon. I shall not be able in these remarks to dwell
upon Mr. Watts-Dunton as a humourist, but the extracts will speak for
themselves. Writing of the great social Pyramid of the Augustan age, Mr.
Watts-Dunton says:—
“This Augustan pyramid of ours had all the symmetry which Blackstone
so much admired in the English constitution and its laws; and when,
afterwards, the American colonies came to revolt and set up a pyramid
of their own, it was on the Blackstonian model. At the base—patient
as the tortoise beneath the elephant in the Indian cosmogony—was the
people, born to be the base and born for nothing else. Resting on
this foundation were the middle classes in their various strata, each
stratum sharply marked off from the others. Then above these was the
strictly genteel class, the patriciate, picturesque and elegant in
dress if in nothing else, whose privileges were theirs as a matter of
right. Above the patriciate was the earthly source of gentility, the
monarch, who would, no doubt, have been the very apex of the sacred
structure save that a little—a very little—above him sat God, the
suzerain to whom the prayers even of the monarch himself were
addressed. The leaders of the Rebellion had certainly done a daring
thing, and an original thing, by striking off the apex of this
pyramid, and it might reasonably have been expected that the building
itself would collapse and crumble away. But it did nothing of the
kind. It was simply a pyramid with the apex cut off—a structure to
serve afterwards as a model of the American and French pyramids, both
of which, though aspiring to be original structures, are really built
on exactly the same scheme of hereditary honour and dishonour as that
upon which the pyramids of Nineveh and Babylon were no doubt built.
Then came the Restoration: the apex was restored: the structure was
again complete; it was, indeed, more solid than ever, stronger than
ever.
Public-domain text, read in full here on John Shaqi.
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