Theodore Watts-Dunton: Poet, Novelist, CriticDouglas, James
General
Theodore Watts-Dunton: Poet, Novelist, Critic
Douglas, James
Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Watts-Dunton, Theodore, 1832-1914
Besides the interesting history of St. Ives from which I have been
compelled to quote so liberally, Mr. Norris has written a series of
brochures upon the surrounding villages. One of these, called ‘St. Ives
and the Printing Press,’ has greatly interested me, for it reveals the
wealth of the material for topographical literature which in the rural
districts lies ready for the picking up. I am tempted to quote from
this, for it shows how strong since Cromwell’s time the temper which
produced Cromwell has remained. During the time when at Cambridge George
Dyer and his associates, William Frend, Fellow of Jesus, and John Hammond
of Fenstanton, Fellow of Queen’s, revolted against the discipline and the
doctrine of the Church of England, St. Ives was the very place where the
Cambridge revolutionists had their books printed. The house whence
issued these fulminations was the ‘Old House’ in Crown Street, now pulled
down, which for a time belonged to Mr. Watts-Dunton’s father, having
remained during all this time a printing office. Mr. Norris gives a very
picturesque description of this old printing office at the top of the
house, with its pointed roof, ‘king posts’ and panelling, reminding one
of the pictures of the ancient German printing offices. Mr. Norris also
tells us that it was at the house adjoining this, the ‘Crown Inn,’ that
William Penn died in 1718, having ridden thither from Huntingdon to hear
the lawsuit between himself and the St. Ives churchwardens. According to
Mr. Norris, the fountain-head of the Cambridge revolt was the John
Hammond above alluded to, who was a friend of Mr. Watts-Dunton’s father
when the latter was quite a young man under articles for a solicitor. A
curious character must have been this long-forgotten rebel, to whom Dyer
addressed an ode, with an enormous tail of learned notes showing the
eccentric pedantry which was such an infinite source of amusement to
Lamb, and inspired some of Elia’s most delightful touches of humour.
This poem of Dyer’s opens thus:—
Though much I love th’ Æolian lyre,
Whose varying sounds beguil’d my youthful day,
And still, as fancy guides, I love to stray
In fabled groves, among th’ Aonian choir:
Yet more on native fields, thro’ milder skies,
Nature’s mysterious harmonies delight:
There rests my heart; for let the sun but rise,
What is the moon’s pale orb that cheer’d the lonesome night?
I cannot leave thee, classic ground,
Nor bid your labyrinths of song adieu;
Yet scenes to me more dear arise to view:
And my ear drinks in notes of clearer sound.
No purple Venus round my Hammond’s bow’r,
No blue-ey’d graces, wanton mirth diffuse,
The king of gods here rains no golden show’r,
Nor have these lips e’er sipt Castilian dews.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account