Theory & History of HistoriographyCroce, Benedetto
Philosophy
Theory & History of Historiography
Croce, Benedetto
Historiography
over the death of the departed Dominic, or was terrified by the natural
human scourges that convulsed his native land, seeing the hand of God
in that succession of events. This does not prevent that history from
assuming the form of chronicle when that same monk of Monte Cassino
wrote down cold formulas, without representing to himself or thinking
their content, with the sole intention of not allowing those memories
to be lost and of handing them down to those who should inhabit Monte
Cassino after him.
But the discovery of the real distinction between chronicle and
history, which is a formal distinction (that is to say, a truly real
distinction), not only frees us from the sterile and fatiguing search
after material distinctions (that is to say, imaginary distinctions),
but it also enables us to reject a very common presupposition--namely,
that of the _priority_ of chronicle in respect to history. _Primo
annales_ [chronicles] _fuere, post historiæ factæ sunt_, the saying of
the old grammarian, Mario Vittorino, has been repeated, generalized,
and universalized. But precisely the opposite of this is the outcome of
the inquiry into the character and therefore into the genesis of the
two operations or attitudes: _first comes history, then chronicle_.
First comes the living being, then the corpse; and to make history the
child of chronicle is the same thing as to make the living be born from
the corpse, which is the residue of life, as chronicle is the residue
of history.
III
History, separated from the living document and turned into chronicle,
is no longer a spiritual act, but a thing, a complex of sounds and
of other signs. But the document also, when separated from life, is
nothing but a thing like another, a complex of sounds or of other
signs--for example, the sounds and the letters in which a law was once
communicated; the lines cut into a block of marble, which manifested a
religious sentiment by means of the figure of a god; a heap of bones,
which were at one time the expression of a man or of an animal.
Public-domain text, read in full here on John Shaqi.
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