here and there seeking a different 'order'--that is to say, really, a better understanding--and we find (particularly from the thirteenth century onward) the _ordo artificialis_ or internal opposed to the _ordo naturalis_ or external chronological order. There are also to be found those who distinguish between the _sub singulis annis describere_ and the _sub stilo historico conglutinare_--that is to say, the grouping together according to things described. The general aspect of historiography changes not a little. Limiting ourselves to Italian historiography alone, there are no longer little books upon the miracles and the translations of the bodies of saints and bishops, but chronicles of communes, all of them full of affection for the feudal superiors or for the archbishop, for the imperial or the anti-imperial side, for Milan or for Bergamo, or for Lodi. The sense of tragedy, which weighed so heavily upon Erchempertus, returns with new and stronger accents in the narrative of the deeds of Barbarossa at Milan, entitled _Libellus tristititiæ et doloris, angustiæ et tribulationis, passionum et tormentorum._ Love for one's city usurps much of the space previously devoted to things celestial, and praises of Milan, of Bergamo, of Venice, of Amalfi, of Naples, resound in the pages of their chroniclers. Thus those vast chronicles are reached which, although they begin with the Tower of Babel, yet lead to the history of that city or of that event which makes the strongest appeal to the feelings and best stimulates the industry of the writer, and become mingled with the persons and things of the present or future life. Giovanni Villani, a pilgrim to Rome to celebrate the papal jubilee, is not inspired with the ascetic spirit or raised to heaven by that solemn spectacle; but, on the contrary, "since he finds himself in the holy city of Rome on that blessed pilgrimage, inspecting its _great_ and _ancient possessions,_ and reading the _histories and the great deeds_ of the Romans," he is inspired to compose the history of his native Fiorenza, "daughter and creation of Rome" (of ancient Rome prior to Christianity). His Fiorenza resembled Rome in its rise to greatness and its following after great things, and was like Rome in its fall. Thus the 'holy' and the 'blessed' do not lead him to holy and blessed thoughts, but to thoughts of worldly greatness. To the historiography of the communes answers the more seriously worldly, the more formally and historically elaborated historiography of the Norman and Suabian kingdom of Sicily. In the proem to its _Constitutiones_ sovereigns are declared to be instituted _ipsa rerum necessitate cogente, nec minus divinæ provisionis instinctu_; with its Romualdo Guarna, its Abbot Telesino, its Malaterra, its Hugo Falcando and Pietro da Eboli, its Riccardo da San Germano, with the pseudo-Jamsilla, and Saba Malaspina. All of these have their heroes, Roger and William the