development or _four political periods_ which are respectively the 'novelties' of the contemporaries Lamprecht and Breysig. Romanticism, judging that the explanation of events by means of the caprices, the calculations, and the designs of individuals taken atomistically was frivolous, took as the subject of history the universals, the Idea, ideas, the spirit, nations and liberty and positivism; it also rejected individualistic atomicism, talking of _masses, races, societies, technique, economy, science, social tendencies_; of everything, in fact, with the exception that the caprice of Tizius and Caius was now no longer admitted. Romanticism had now not only reinforced the histories of ideal values, but had conceived them as in organic connexion; positivism in its turn insisted upon the _interdependence of social factors_ and upon the unity of the real, and attempted to fill up the interstices of the various special histories by means of the history of _civilization_ and of _culture,_ and so-called _social_ history, containing in itself politics, literature, philosophy, religion, and every other class of facts. Romanticism had overthrown heteronomous, instructive, moralizing, serviceable history, and positivism in its turn boasted that its history was a _science,_ an end in itself, like every other science, although like every science it afforded the basis for practice, and was therefore capable of application. Romanticism had enhanced the esteem for erudition, and had given an impetus to intercourse between it and history. But whence did the erudition and philology of the positivistic period derive that pride which made them believe that they were themselves history, save from the consciousness that they had inherited from romanticism, which they had preserved and exaggerated? Whence did they inherit the substance of their method save (as Fueter well notes) from the romantic search for the primitive, the genuine, the ingenuous, which manifested itself in Wolf, who inaugurated the method? It is well to remember that Wolf was a pre-romantic, an admirer of Ossian and of popular poetry. And, finally, what is the meaning of the efforts of positivism to seek out the _causes_ of history, the series of historical facts, the _unity_ of the factors and their dependence upon a _supreme cause,_ save the speculations of the romantics themselves upon the manner, the end, and the value of development? Whoever pays attention to all these and other resemblances which we could enumerate must conclude that positivism is to romanticism as was the enlightenment to the Renaissance--that is to say, it is not so much its antithesis as it is the logical prosecution and the exaggeration of its presuppositions. Even its final conversion into theology corresponds to that of romanticism. This is for the rest an obvious matter, for transcendency is always transcendency, whether it be thought of as that of a God or of reason, of nature or of matter.