It may be remembered in the "Story of John Powles" that when, as a
perfect stranger to Mr. Fletcher, I walked one evening into the Steinway
Hall, I heard him describe the circumstances of my old friend's death in
a very startling manner. It made such an impression on me that I became
anxious to hear what more Mr. Fletcher might have to say to me in
private, and for that purpose I wrote and made an appointment with him
at his private residence in Gordon Square. I did not conceal my name,
and I knew my name must be familiar to him; for although he had only
just arrived from America, I am better known as an author in that
country perhaps than in this. But I had no intention of gauging his
powers by what he told me of my exterior life; and by what followed, his
guide "Winona" evidently guessed my ideas upon the subject. After the
_séance_ I wrote thus concerning it to the _Banner of Light_, a New York
Spiritualistic paper:--
"I had seen many clairvoyants before, both in public and private, and
had witnessed wonderful feats of skill on their part in naming and
describing concealed objects, and reading print or writing when held far
beyond their reach of sight; but I knew the trick of all that. If Mr.
Fletcher is going to treat me to any mental legerdemain, I thought, as I
took my way to Gordon Square, I shall have wasted both my time and
trouble upon him; and, I confess, as I approached the house, that I felt
doubtful whether I might not be deceived against my senses by the clever
lecturer, whose eloquence had charmed me into desiring a more intimate
acquaintance with him. Even the private life of a professional person
soon becomes public property in London; and had Mr. Fletcher wished to
find out my faults and failings, he had but to apply to ----, say, my
dearest friend, or the one upon whom I had bestowed most benefits, to
learn the worst aspect of the worst side of my character. But the neat
little page-boy answered my summons so promptly that I had no time to
think of turning back again; and I was ushered through a carpeted hall,
and up a staircase into a double drawing-room, strewn with evidence that
my clairvoyant friend possessed not only artistic taste, but the means
to indulge it. The back room into which I was shown was hung with
paintings and fitted with a luxurious _causeuse_, covered with art
needlework, and drawn against the open window, through which might be
seen some fine old trees in the garden below, and Mr. Fletcher's dogs
enjoying themselves beneath their shade. Nothing could be further
removed from one's ideas of a haunt of mystery or magic, or the abode of
a man who was forced to descend to trickery for a livelihood. In a few
minutes Mr. Fletcher entered the room and saluted me with the air of a
gentleman. We did not proceed to business, however, until he had taken
me round his rooms, and shown me his favorite pictures, including a
portrait of Sara Bernhardt, etched by herself, in the character of Mrs.
Public-domain text, read in full here on John Shaqi.
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