When I first joined Mr. d'Oyley Carte's "Patience" Company in the
provinces, to play the part of "Lady Jane," I understood I was to have
four days' rehearsal. However, the lady whom I succeeded, hearing I had
arrived, took herself off, and the manager requested I would appear the
same night of my arrival. This was rather an ordeal to an artist who had
never sung on the operatic stage before, and who was not note perfect.
However, as a matter of obligation, I consented to do my best, but I was
very nervous. At the end of the second act, during the balloting scene,
Lady Jane has to appear suddenly on the stage, with the word "Away!" I
forget at this distance of time whether I made a mistake in pitching the
note a third higher or lower. I know it was not out of harmony, but it
was sufficiently wrong to send the chorus astray, and bring my heart up
into my mouth. It never occurred after the first night, but I never
stood at the wings again waiting for that particular entrance but I
"girded my loins together," as it were, with a kind of dread lest I
should repeat the error. After a while I perceived a good deal of
whispering about me in the company, and I asked poor Federici (who
played the colonel) the reason of it, particularly as he had previously
asked me to stand as far from him as I could upon the stage, as I
magnetized him so strongly that he couldn't sing if I was near him.
"Well! do you know," he said to me in answer, "that a very strange thing
occurs occasionally with reference to you, Miss Marryat. While you are
standing on the stage sometimes, you appear seated in the stalls.
Several people have seen it beside myself. I assure you it is true."
"But _when_ do you see me?" I enquired with amazement.
"It's always at the same time," he answered, "just before you run on at
the end of the second act. Of course it's only an appearance, but it's
very queer." I told him then of the strange feelings of distrust of
myself I experienced each night at that very moment, when my spirit
seems to have preceded myself upon the stage.
I had a friend many years ago in India, who (like many other friends)
had permitted time and separation to come between us, and alienate us
from each other. I had not seen him nor heard from him for eleven years,
and to all appearance our friendship was at an end. One evening the
medium I have alluded to above, Mrs. Fitzgerald, who was a personal
friend of mine, was at my house, and after dinner she put her feet up on
the sofa--a very unusual thing for her--and closed her eyes. She and I
were quite alone in the drawing-room, and after a little while I
whispered softly, "Bessie, are you asleep?" The answer came from her
control "Dewdrop," a wonderfully sharp Red Indian girl. "No! she's in a
trance. There's somebody coming to speak to you! I don't want him to
come. He'll make the medium ill. But it's no use. I see him creeping
round the corner now."
Public-domain text, read in full here on John Shaqi.
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