Theresa Marchmont, or, the Maid of Honour: A TaleGore, Mrs. (Catherine Grace Frances)
General
Theresa Marchmont, or, the Maid of Honour: A Tale
Gore, Mrs. (Catherine Grace Frances)
Fiction
“I will try the spell which drove the evil spirit from the mind of the
King of Israel,” thought the sad and terrified wife; “music hath often
power to soothe the darkness of the soul;” and she tuned her lute,
and brought forth the softest of its tones. At length her charm was
successful; Lord Greville slept; and while she watched with all the
intense anxiety of alarmed affection, the unquiet slumbers which
distorted one of the finest countenances that sculptor or painter ever
conceived, she affected to occupy herself with her instrument lest he
should awake, and be displeased to find her attention fixed on himself.
With the sweetest notes of a “voice ever soft and low, an excelling
thing in woman,” she murmured the following song, which was recorded in
her family to have been composed by her elder brother, on parting from
a lady to whom he was attached, previous to embarkment on the expedition
in which he fell, and to which it alludes:
Parte la nave
Spiegan le vele
Vento crudele
Mi fa partir.
Addio Teresa,
Teresa, addio!
Piacendo a Dio
Ti rivedrò.
Non pianger bella,
Non pianger, No!--
Chè al mio ritorno
Ti sposerò.
Il Capitano
Mi chiama a bordo;
Io faccio il sordo
Per non partir!
Addio Teresa,
Teresa, Addio!
Piacendo a Dio
Ti rivedrò.
Non pianger bella,
Non pianger, No!--
Chè al mio ritorno
Ti sposerò.
Vado a levante
Vado a ponente
Se trovo gente
Ti scriverò.
Addio Teresa,
Teresa, Addio;
Piacendo a Dio
Ti rivedrò.
Non pianger bella,
Non pianger, No!--
Chè al mio ritorno
Ti sposerò.
Helen had reached the concluding cadence of her soft and melancholy
song, when raising her eyes from the strings to her still sleeping
husband, she beheld with panic-struck and breathless amazement, a
female figure, standing opposite resting her hand on the back of his
chair--silent, and motionless, and with fixed and glassy eyes gazing
mournfully on herself. She saw--yes!--distinctly saw, as described by
little Hugh, “a Lady in rich attire, but pale, very pale;” and in the
stillness and gloom of the apartment and the hour,
“'Twas frightful there to see
A lady richly clad as she,
Beautiful exceedingly.”
The paleness of that pensive face did not lessen its loveliness, and the
hair which hung in bright curls on her shoulders and gorgeous apparel,
was white and glossy as silver. Helen gazed for a moment spell-bound;
for she beheld in that countenance without the possibility of doubt, the
resemblance of the deceased Lady Greville, whose portrait, in a similar
dress, hung in the picture gallery at Silsea Castle. She shuddered; for
the eyes of the spectre remained steadfastly fixed upon her; and its
lips moved as if about to address her--“Mother of God--protect me!”
exclaimed Helen convulsively, and she fell insensible on the floor.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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