“Faith, no,” answered his friend with a smile. “For a couple of years I pretended to follow the classes, so as to draw the allowance of 1,200 francs which my father made me. I lived with one of my college chums, who is a painter, and I set about painting also. It amused me. The calling is droll, and not at all fatiguing. We smoked and joked all the livelong day.” The Raquin family opened their eyes in amazement. “Unfortunately,” continued Laurent, “this could not last. My father found out that I was telling him falsehoods. He stopped my 100 francs a month, and invited me to return and plough the land with him. I then tried to paint pictures on religious subjects which proved bad business. As I could plainly see that I was going to die of hunger, I sent art to the deuce and sought employment. My father will die one of these days, and I am waiting for that event to live and do nothing.” Laurent spoke in a tranquil tone. In a few words he had just related a characteristic tale that depicted him at full length. In reality he was an idle fellow, with the appetite of a full-blooded man for everything, and very pronounced ideas as to easy and lasting employment. The only ambition of this great powerful frame was to do nothing, to grovel in idleness and satiation from hour to hour. He wanted to eat well, sleep well, to abundantly satisfy his passions, without moving from his place, without running the risk of the slightest fatigue. The profession of advocate had terrified him, and he shuddered at the idea of tilling the soil. He had plunged into art, hoping to find therein a calling suitable to an idle man. The paint-brush struck him as being an instrument light to handle, and he fancied success easy. His dream was a life of cheap sensuality, a beautiful existence full of houris, of repose on divans, of victuals and intoxication. The dream lasted so long as daddy Laurent sent the crown pieces. But when the young man, who was already thirty, perceived the wolf at the door, he began to reflect. Face to face with privations, he felt himself a coward. He would not have accepted a day without bread, for the utmost glory art could bestow. As he had said himself, he sent art to the deuce, as soon as he recognised that it would never suffice to satisfy his numerous requirements. His first efforts had been below mediocrity; his peasant eyes caught a clumsy, slovenly view of nature; his muddy, badly drawn, grimacing pictures, defied all criticism.