This divided approach is not so obvious in the _Daily Mirror_, which has the largest circulation of any of the London dailies. This is an important newspaper in that it is the most accurate reflection I know of the tastes and mores of the new working class in Britain. There are many indications elsewhere that Cecil King, its proprietor, and his chief lieutenants have pondered long and earnestly about Britain's problems. The _Mirror_'s pamphlet on trade unions and an earlier pamphlet on Anglo-American relations are solid contributions to the literature on these subjects. But the _Daily Mirror_'s customary approach to policies and issues is as robust and sharp as that of a policeman to a drunk. It is belligerent rather than persuasive; it loves big type. But the _Daily Mirror_'s handling of certain types of stories, particularly those involving industrial disputes and crime, is excellent. (British crime reporting in general, although circumscribed by the libel laws, is of high caliber.) The _Mirror_'s editorials, with their GET OUT or PASS THIS BILL approach to politicians and measures, may alienate as many as they win, but the editorials are alive, dealing often with problems--such as automation and wage differentials--that are of the keenest interest to the industrial working class. The _Mirror_ is much closer to the thinking of this class than is the _Daily Herald_, usually considered the official Labor newspaper. The Trades Union Congress owns 49 per cent of the stock in the _Daily Herald_, and Odhams Press Ltd. owns the remainder. Once powerful and well informed on industrial and labor-movement happenings, the _Herald_ no longer seems to represent either the movement or the industrial working class that supports the movement. Its approach is stodgier than that of the _Mirror_, less in keeping with the tastes of the new working class. The _Mirror_'s most renowned features are "Cassandra" and "Jane." The former, written by William Connor, is one of the hardest-hitting and most provocative features in British journalism. Connor has evoked the wrath of statesmen of both major parties. The Communists hate him. He is a deflator of stuffed shirts, a pungent critic, and a stout defender of the British worker. The _Mirror_'s other salient feature is a comic strip called "Jane." Jane is a well-proportioned young lady whose adventures nearly always end in near nudity. She is a favorite of British troops abroad and their families at home. The information value of this daily striptease is nonexistent, but a _Mirror_ employee once defended the strip on the grounds that "the bloke that buys the paper to look at Jane may read Bill Connor or the leader."