These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sortArlen, Michael
General
These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sort
Arlen, Michael
London (England) -- Social life and customs -- 20th century -- Fiction
The tables are elegantly arranged around the walls, deep sofas and
divans are luxuriously set about them, while the centre is left
unchallenged to the shimmering parquet floor. Of course all parquet
floors shimmer, but none shimmers like this at the Ambassadors. One
dines. One sups. Tommy Tittlebat’s Saxophone Six plays. The quality
dance. The more Tommy Tittlebat’s Saxophone Six plays the more the
quality dance, which is only reasonable. They jump up to dance at the
exact moment when their food is put upon the table, and they cease
dancing only when their food has become so cold that they have to hold
lighted matches under the plates to warm them up. This causes much
laughter.
As evening melts exquisitely into night, the quality enter the
Ambassadors in their hundreds, all calling each other and the waiters
by their Christian names. Some bring well-dressed nobodies with them,
some bring Jews, some bring titled what-nots from the provinces or from
Labrador: so that by midnight the parquet floor is so crowded that you
cannot see the parquet. Then it is great fun to dance.
The game is played like this. As soon as a man and woman, sitting at
their table, see a clear square foot of parquet floor they instantly
leap on same, and, passionately embracing each other thereon, make
movements of their eyebrows, hips, and feet in time to Tommy Tittlebat’s
Saxophone Six. That is called dancing. They stay on their square foot of
shimmering parquet floor until they get shoved off it by a beefier
couple, whereupon the two gentlemen compliment each other in an elegant
way--as is the way with persons of _ton_--or they call each other names
(not Christian names)--as is also the way with persons of _ton_--until
one or other of them is thrown out. That is called enjoying yourself,
and you have to pay to do it. I paid, on the night I am telling you
about. But not even Tommy Tittlebat’s Saxophone Six could drown the
charm of Shelmerdene. Dear Shelmerdene....
At the table next to us sat a solitary gentleman. Obviously, we
thought, he is waiting for some one, and obviously that some one has let
him down. I am not much of a connoisseur as to men’s looks, but
Shelmerdene knows about these things, and she said he was handsome. He
was, even as he sat, noticeably tall; of strong and manly appearance;
and, though swarthy in countenance, so essentially English-looking that
it was with a disagreeable shock that, towards midnight, we noticed that
his dark eyes were wet with tears. There is, as a rule, a scarcity of
six-foot men weeping over supper at the Ambassadors.
“Drunk,” I suggested harshly, but Shelmerdene is a kind woman and she
said that he looked like a man haunted by a great calamity.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account