These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sort — John Shaqi
These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sortArlen, Michael
General
These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sort
Arlen, Michael
London (England) -- Social life and customs -- 20th century -- Fiction
“Yes, an episode, that’s all it is,” said Shelmerdene queerly, and still
her face forgot to smile. “That’s how he would think of it now. He has
had his lesson, you see--and many episodes! And so all the childishness
has gone out of him.... He can’t be hurt by a face in a mirror now,
Raymond! He would just laugh, and he has an eighteenth-century kind of
laugh. Poor lamb, all the childishness has been spilled out of him.”
And Shelmerdene’s eyes softly followed the figure among the tall tulips,
while young Raymond Paris murmured: “You see, what editors want is a
story with some sort of point....”
II: WHEN THE NIGHTINGALE SANG IN BERKELEY SQUARE
There is a tale that is told in London about a nightingale, how it did
this and that and, finally, for no apparent reason, rested and sang in
Berkeley Square. A well-known poet, critic, and commentator heard it,
and it is further alleged that he was sober. Some men, of course, now
say that it was not a nightingale at all, but only the South wind
singing in the trees of the square, but it is a fact that some men will
say anything. And some men have formed a Saint James’s Square school of
thought, but it was in Berkeley Square that the poet, critic, and
commentator, who was sober, distinctly heard the song of the
nightingale, on a night in the heart of the drought of the year 1921.
In the drawing-room of a house midway on the entailed side of the square
sat a lady and a gentleman silently. Or rather, the lady lay, while the
gentleman sat, and the sofa on which she lay was far from the arm-chair
in which he sat. The room was spacious; four shaded candles in tall
candlesticks of ancient brass gave calm colour to its dimness; and four
open windows, from which the curtains were withdrawn in slack folds of
shining silver, gave out to the leaves of the trees, which murmured
among themselves just a little.
At last the gentleman roused himself from the gloom of his chair in the
recess of the room, and threw back his head and stretched his arms so
that little things cracked behind his shoulders. But the lady did not
stir nor look round at him, she lay still on the sofa by the windows,
her head deep in the hollow of a crimson cushion, her eyes thoughtfully
on the ceiling, which was high enough to refuse itself to exact scrutiny
in the affected light of four candles.
The gentleman drew a cigar-case from his breast pocket, and a cigar from
the case. He bit the cigar, and then he moved, to deposit what he had
bitten from the tip of his finger into an ash-tray. Then he lit his
cigar, thoughtfully, and he said: “Hell, it’s hot!”
“Perhaps, dear, it’s a rehearsal for same,” said the lady.
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