“She said,” I suggested, “that it was hard on her to have children who
could wish to go to a picnic and leave their mother at home; that it was
little enough enjoyment she had in her life, heaven knows; that if there
was one thing she had been looking forward to it was this day’s outing;
but still, of course, if everybody would be happier without her—”
“Something of the sort,” admitted Robina; “only there was a lot of it.
We had to all fuss round her, and swear that without her it wouldn’t be
worth calling a picnic. She brightened up on the way home.”
The screech-owl in the yew-tree emitted a blood-curdling scream. He
perches there each evening on the extreme end of the longest bough.
Dimly outlined against the night, he has the appearance of a friendly
hobgoblin. But I wish he didn’t fancy himself as a vocalist. It is
against his own interests, I am sure, if he only knew it. That American
college yell of his must have the effect of sending every living thing
within half a mile back into its hole. Maybe it is a provision of nature
for clearing off the very old mice who have become stone deaf and would
otherwise be a burden on their relatives. The others, unless out for
suicide, must, one thinks, be tolerably safe. Ethelbertha is persuaded
he is a sign of death; but seeing there isn’t a square quarter of a mile
in this county without its screech-owl, there can hardly by this time be
a resident that an Assurance Society would look at. Veronica likes him.
She even likes his screech. I found her under the tree the other night,
wrapped up in a shawl, trying to learn it. As if one of them were not
enough! It made me quite cross with her. Besides, it wasn’t a bit like
it, as I told her. She said it was better than I could do, anyhow; and I
was idiot enough to take up the challenge. It makes me angry now, when I
think of it: a respectable, middle-aged literary man, standing under a
yew-tree trying to screech like an owl. And the bird was silly enough to
encourage us.
“She was a charming girl,” I said, “seven-and-twenty years ago, when St.
Leonard fell in love with her. She had those dark, dreamy eyes so
suggestive of veiled mysteries; and her lips must have looked bewitching
when they pouted. I expect they often did. They do so still; but the
pout of a woman of forty-six no longer fascinates. To a pretty girl of
nineteen a spice of temper, an illogical unreasonableness, are added
attractions: the scratch of a blue-eyed kitten only tempts us to tease
her the more. Young Hubert St. Leonard—he had curly brown hair, with a
pretty trick of blushing, and was going to conquer the world—found her
fretfulness, her very selfishness adorable: and told her so, kneeling
before her, gazing into her bewildering eyes—only he called it her
waywardness, her imperiousness; begged her for his sake to be more
capricious. Told her how beautiful she looked when displeased. So, no
doubt, she did—at nineteen.”
Public-domain text, read in full here on John Shaqi.
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