“He didn’t tell you all that, did he?” demanded Robina.
“Not a word,” I reassured her, “except that she was acknowledged by all
authorities to have been the most beautiful girl in Tunbridge Wells, and
that her father had been ruined by a rascally solicitor. No, I was
merely, to use the phrase of the French police courts, ‘reconstructing
the crime.’”
“It may be all wrong,” grumbled Robina.
“It may be,” I agreed. “But why? Does it strike you as improbable?”
We were sitting in the porch, waiting for Dick to come by the white path
across the field.
“No,” answered Robina. “It all sounds very probable. I wish it didn’t.”
“You must remember,” I continued, “that I am an old playgoer. I have sat
out so many of this world’s dramas. It is as easy to reconstruct them
backwards as forwards. We are witnessing the last act of the St. Leonard
drama: that unsatisfactory last act that merely fills out time after the
play is ended! The intermediate acts were probably more exciting,
containing ‘passionate scenes’ played with much earnestness; chiefly for
the amusement of the servants. But the first act, with the Kentish lanes
and woods for a back-cloth, must have been charming. Here was the devout
lover she had heard of, dreamed of. It is delightful to be regarded as
perfection—not absolute perfection, for that might put a strain upon us
to live up to, but as so near perfection that to be more perfect would
just spoil it. The spots upon us, that unappreciative friends and
relations would magnify into blemishes, seen in their true light:
artistic shading relieving a faultlessness that might otherwise prove too
glaring. Dear Hubert found her excellent just as she was in every
detail. It would have been a crime against Love for her to seek to
change herself.”
“Well, then, it was his fault,” argued Robina. “If he was silly enough
to like her faults, and encourage her in them—”
“What could he have done,” I asked, “even if he had seen them? A lover
does not point out his mistress’s shortcomings to her.”
“Much the more sensible plan if he did,” insisted Robina. “Then if she
cared for him she could set to work to cure herself.”
“You would like it?” I said; “you would appreciate it in your own case?
Can you imagine young Bute—?”
“Why young Bute?” demanded Robina; “what’s he got to do with it?”
“Nothing,” I answered; “except that he happens to be the first male
creature you have ever come across since you were six that you haven’t
flirted with.”
“I don’t flirt with them,” said Robina; “I merely try to be nice to
them.”
“With the exception of young Bute,” I persisted.
“He irritates me,” Robina explained.
Public-domain text, read in full here on John Shaqi.
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