In the play, I am inclined to think, Veronica received assistance. The house had got itself finished early in September. Young Bute has certainly done wonders. We performed it in the empty billiard-room, followed by a one-act piece of my own. The occasion did duty as a house-warming. We had quite a crowd, and ended up with a dance. Everybody seemed to enjoy themselves, except young Bertie St. Leonard, who played the Prince, and could not get out of his helmet in time for supper. It was a good helmet, but had been fastened clumsily; and inexperienced people trying to help had only succeeded in jambing all the screws. Not only wouldn’t it come off, it would not even open for a drink. All thought it an excellent joke, with the exception of young Herbert St. Leonard. Our Mayor, a cheerful little man and very popular, said that it ought to be sent to _Punch_. The local reporter reminded him that the late John Leech had already made use of precisely the same incident for a comic illustration, afterwards remembering that it was not Leech, but the late Phil May. He seemed to think this ended the matter. St. Leonard and the Vicar, who are rival authorities upon the subject, fell into an argument upon armour in general, with special reference to the fourteenth century. Each used the boy’s head to confirm his own theory, passing it triumphantly from one to the other. We had to send off young Hopkins in the donkey-cart for the blacksmith. I have found out, by the way, how it is young Hopkins makes our donkey go. Young Hopkins argues it is far less brutal than whacking him, especially after experience has proved that he evidently does not know why you are whacking him. I am not at all sure the boy is not right.