“I suppose that, with myself, he thought better of it in the end. But I’m tired of having my life turned into one perpetual first of April. This house that I have bought is not my heart’s desire, but about it there are possibilities. We will put in lattice windows, and fuss-up the chimneys. Maybe we will let in a tablet over the front-door, with a date—always looks well: it is a picturesque figure, the old-fashioned five. By the time we have done with it—for all practical purposes—it will be a Tudor manor-house. I have always wanted an old Tudor manor-house. There is no reason, so far as I can see, why there should not be stories connected with this house. Why should not we have a room in which Somebody once slept? We won’t have Queen Elizabeth. I’m tired of Queen Elizabeth. Besides, I don’t believe she’d have been nice. Why not Queen Anne? A quiet, gentle old lady, from all accounts, who would not have given trouble. Or, better still, Shakespeare. He was constantly to and fro between London and Stratford. It would not have been so very much out of his way. ‘The room where Shakespeare slept!’ Why, it’s a new idea. Nobody ever seems to have thought of Shakespeare. There is the four-post bedstead. Your mother never liked it. She will insist, it harbours things. We might hang the wall with scenes from his plays, and have a bust of the old gentleman himself over the door. If I’m left alone and not worried, I’ll probably end by believing that he really did sleep there.” “What about cupboards?” suggested Dick. “The Little Mother will clamour for cupboards.”