I hoped that if I made believe to be asleep she would get discouraged.
So I closed the window ostentatiously, and went back to bed. But it only
had the effect of putting her on her mettle. “He did not care for that
last,” I imagined her saying to herself, “I wasn’t at my best. There
wasn’t feeling enough in it.” She kept it up for about half an hour, and
then the gate against which, I suppose, she had been leaning, gave way
with a crash. That frightened her, and I heard her gallop off across the
field. I was on the point of dozing off again when a pair of pigeons
settled on the window-sill and began to coo. It is a pretty sound when
you are in the mood for it. I wrote a poem once—a simple thing, but
instinct with longing—while sitting under a tree and listening to the
cooing of a pigeon. But that was in the afternoon. My only longing now
was for a gun. Three times I got out of bed and “shoo’d” them away. The
third time I remained by the window till I had got it firmly into their
heads that I really did not want them. My behaviour on the former two
occasions they had evidently judged to be mere playfulness. I had just
got back to bed again when an owl began to screech. That is another
sound I used to think attractive—so weird, so mysterious. It is
Swinburne, I think, who says that you never get the desired one and the
time and the place all right together. If the beloved one is with you,
it is the wrong place or at the wrong time; and if the time and the place
happen to be right, then it is the party that is wrong. The owl was all
right: I like owls. The place was all right. He had struck the wrong
time, that was all. Eleven o’clock at night, when you can’t see him, and
naturally feel that you want to, is the proper time for an owl. Perched
on the roof of a cow-shed in the early dawn he looks silly. He clung
there, flapping his wings and screeching at the top of his voice. What
it was he wanted I am sure I don’t know; and anyhow it didn’t seem the
way to get it. He came to this conclusion himself at the end of twenty
minutes, and shut himself up and went home. I thought I was going to
have at last some peace, when a corncrake—a creature upon whom Nature has
bestowed a song like to the tearing of calico-sheets mingled with the
sharpening of saws—settled somewhere in the garden and set to work to
praise its Maker according to its lights. I have a friend, a poet, who
lives just off the Strand, and spends his evenings at the Garrick Club.
He writes occasional verse for the evening papers, and talks about the
“silent country, drowsy with the weight of languors.” One of these times
I’ll lure him down for a Saturday to Monday and let him find out what the
country really is—let him hear it. He is becoming too much of a dreamer:
it will do him good, wake him up a bit. The corncrake after awhile
stopped quite suddenly with a jerk, and for quite five minutes there was
silence.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account