I wonder to myself sometimes, Is literature to the general reader ever anything more than a fairy-tale? We write with our heart’s blood, as we put it. We ask our conscience, Is it right thus to lay bare the secrets of our souls? The general reader does not grasp that we are writing with our heart’s blood: to him it is just ink. He does not believe we are laying bare the secrets of our souls: he takes it we are just pretending. “Once upon a time there lived a girl named Angelina who loved a party by the name of Edwin.” He imagines—he, the general reader—when we tell him all the wonderful thoughts that were inside Angelina, that it was we who put them there. He does not know, he will not try to understand, that Angelina is in reality more real than is Miss Jones, who rides up every morning in the ’bus with him, and has a pretty knack of rendering conversation about the weather novel and suggestive. As a boy I won some popularity among my schoolmates as a teller of stories. One afternoon, to a small collection with whom I was homing across Regent’s Park, I told the story of a beautiful Princess. But she was not the ordinary Princess. She would not behave as a Princess should. I could not help it. The others heard only my voice, but I was listening to the wind. She thought she loved the Prince—until he had wounded the Dragon unto death and had carried her away into the wood. Then, while the Prince lay sleeping, she heard the Dragon calling to her in its pain, and crept back to where it lay bleeding, and put her arms about its scaly neck and kissed it; and that healed it. I was hoping myself that at this point it would turn into a prince itself, but it didn’t; it just remained a dragon—so the wind said. Yet the Princess loved it: it wasn’t half a bad dragon, when you knew it. I could not tell them what became of the Prince: the wind didn’t seem to care a hang about the Prince. Myself, I liked the story, but Hocker, who was a Fifth Form boy, voicing our little public, said it was rot, so far, and that I had got to hurry up and finish things rightly. “But that is all,” I told them. “No, it isn’t,” said Hocker. “She’s got to marry the Prince in the end. He’ll have to kill the Dragon again; and mind he does it properly this time. Whoever heard of a Princess leaving a Prince for a Dragon!” “But she wasn’t the ordinary sort of Princess,” I argued. “Then she’s got to be,” criticised Hocker. “Don’t you give yourself so many airs. You make her marry the Prince, and be slippy about it. I’ve got to catch the four-fifteen from Chalk Farm station.” “But she didn’t,” I persisted obstinately. “She married the Dragon and lived happy ever afterwards.” Hocker adopted sterner measures. He seized my arm and twisted it behind me. “She married who?” demanded Hocker: grammar was not Hocker’s strong point. “The Dragon,” I growled. “She married who?” repeated Hocker. “The Dragon,” I whined.