They Call Me Carpenter: A Tale of the Second ComingSinclair, Upton
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They Call Me Carpenter: A Tale of the Second Coming
Sinclair, Upton
Hollywood (Los Angeles, Calif.) -- Fiction; Jesus Christ -- Fiction
“So he vould!” broke in Maw. “How often I gotta tell you, Abey? You
got no more manners dan if you vas a jimpanzy.”
“All right,” said the magnate, grinning good naturedly. “I'll keep
a-eatin' my dinner. Who is it?”
“It's Mrs. Parmelee Stebbins,” said I. “She boasts a salon, and has
to have what are called lions, and she's been watching Mr. Carpenter
out of the corner of her eye ever since he came into the
room--trying to figure out whether he's a lion, or only an actor. If
his skin were a bit dark, she would be sure he was an Eastern
potentate; as it, she's afraid he's of domestic origin, in which
case he's vulgar. The company he keeps is against him; but
still--Mrs. Stebbins has had my eye three times, hoping I would give
her a signal, I haven't given it, so she's about to leave.”
“Vell, she can go to hell!” said T-S, keeping his promise to devote
himself to his dinner. “I offered Parmelee Stebbins a tird share in
'De Pride o' Passion' fer a hunded tousand dollars, and de damn fool
turned me down, and de picture has made a million and a quarter
a'ready.”
“Well,” said I, “he's probably paying for it by sitting up late to
buy the city council on this new franchise grab of his; and so he
hasn't kept his date to dine with his expensive family at Prince's.
Here is Miss Lucinda Stebbins; she's engaged to Babcock, millionaire
sport and man about town, but he's taking part in a flying race over
the Rocky Mountains tonight, and so Lucinda feels bored, and she
knows the vaudeville show is going to be tiresome, but still she
doesn't want to meet any freaks. She has just said to her mother
that she can't see why a person in her mother's position can't be
content to meet proper people, but always has to be getting herself
into the newspapers with some new sort of nut.”
“My Gawd, Billy!” cried Maw. “You got a dictaphone on dem people?”
“No, but I know the type so well, I can tell by their looks. Lucinda
is thinking about their big new palace on Grand Avenue, and she
regards everyone outside her set as a burglar trying to break in.
And then there's Bertie Stebbins, who's thinking about a new style
of collar he saw advertised to-day, and how it would look on him,
and what impression it would make on his newest girl.”
It was Mary who spoke now: “I know that little toad. I've seen him
dancing at the Palace with Dorothy Doodles, or whatever her name
is.”
“Well,” said I, “Mrs. Stebbins runs the newer set--those who hunt
sensations, and make a splurge in the papers. It costs like smoke,
of course--” And suddenly I stopped. “Look out!” I whispered. “Here
she comes!”
XVIII
I heard Maw catch her breath, and I heard Maw's husband give a
grunt. Then I rose. “How are you, Billy?” gurgled a voice--one of
those voices made especially for social occasions. “Wretched boy,
why do you never come to see us?”
“I was coming to-morrow,” I said--for who could prove otherwise?
“Mrs. Stebbins, permit me to introduce Mrs. Tszchniczklefritszch.”
Public-domain text, read in full here on John Shaqi.
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