The first person out was Carpenter. He took one glance at the form under the car, and saw there was no hope there; then he ran to the child in the gutter and caught it into his arms. The poor people who rushed to the scene found him sitting on the curb, gazing into the pitiful, quivering little face, and whispering grief-stricken words. There was a street-lamp near, so he could see the face of the child, and the crowd could see him. There came a woman, apparently the mother of the dead child. She saw the form under the car, and gave a horrified scream, and fell into a faint. There came a man, the father, no doubt, and other relatives; there was a clamoring, frantic throng, swarming about the car and about the victims. I went to Carpenter, and asked, “Is it dead?” He answered, “It will live, I think.” Then, seeing that the crowd was likely to stifle the little one, he rose. “Where does this child live?” he asked, and some one pointed out the house, and he carried his burden into it. I followed him, and it was fortunate that I did so, because of the part I was able to play. I saw him lay the child upon a couch, and put his hands upon its forehead, and close his eyes, apparently in prayer. Then, noting the clamor outside growing louder, I went to the door and looked out, and found the Stebbins family in a frightful predicament. The mob had dragged Bertie and the chauffeur outside the car, and were yelling menaces and imprecations into their faces; poor Bertie was shouting back, that it wasn't his fault, how could _he_ help it? But they thought he might have helped coming into their quarter with his big rich car; why couldn't he stay in his own part of the city, and kill the children of the rich? A man hit him a blow in the face and knocked him over; his mother shrieked, and leaped out to help him, and half a dozen women flung themselves at her, and as many men at the chauffeur. There was a pile of bricks lying handy, and no doubt also knives in the pockets of these foreign men; I believe the little party would have been torn to pieces, had it not occurred to me to run into the house and summon Carpenter. Why did I do it? I think because I had seen how the crowd gave way before him with the child in his arms. Anyhow, I knew that I could do nothing alone, and before I could find a policeman it might be many times too late. I told Carpenter what was happening, and he rose, and ran out to the street. It was like magic, of course. To these poor foreigners, Catholics most of them, he did not suggest a moving picture actor on location; he suggested something serious and miraculous. He called to the crowd, stretching out his arms, and they gave way before him, and he walked into them, and when he got to the struggling group he held his arms over them, and that was all there was to it.