Thirteen Years of a Busy Woman's LifeAlec-Tweedie, Mrs. (Ethel)
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Thirteen Years of a Busy Woman's Life
Alec-Tweedie, Mrs. (Ethel)
Alec-Tweedie, Mrs. (Ethel), -1940; Great Britain -- Intellectual life -- 20th century
“Have there been many great men artists?” he enquired, with a little
twinkle; “because I think not. In fact, there has been just as good
work done by women as has ever been done by men in that line, and now
that more of them are taking up Art, and are breaking the trammels by
which they have been surrounded for generations, I shall be surprised
if the world does not produce better women artists than men. It is
in them; it is a born instinct. Love of refinement, beauty, poetry,
sentiment, and colour belong to woman. Cruelty, perhaps valour,
strength, and ruggedness, are on the man’s side.”
Encouragement goes a long way, just as human sympathy is the very
backbone of life. Poor Jimmy Whistler got very little of either until
his last few years. To the philosophy of youth everything matters, to
the maturity of old age nothing matters.
He was brilliant and vain. But then, all men are vain. It is the
prerogative of the male from the peacock upwards.
For some years Whistler had a little Neapolitan model, with very dark
hair and beautiful black eyes. His wife took great interest in her.
After his bereavement Jimmy felt he ought to continue to minister to
the welfare of the girl, who by this time had grown into a magnificent
specimen of a Neapolitan woman. She married when still very young,
and, being tired of sitting as a model, she asked her patron one day
to allow her to use his name if she started an atelier. “Might it be
called the ‘Whistler Studio,’ and would he himself come and see after
it and give instruction once a week?” Whistler approved of the plan and
assented.
The woman therefore took a studio in Paris, where the painter was
living, and at the end of the month, instead of having a dozen students
as she expected, something like a hundred had entered their names, all
eager to study under Whistler. On the strength of her success Madame
abandoned her simple clothes and appeared gorgeous in black, rustling
silk robes, in which she strutted about the studio and played the
_grande dame_. Whistler, as has been said, promised to attend, and
more or less he kept his word. The first day of his appearance the
great little man marched into the room occupied by the female students,
and, picking out one girl, sat down opposite her canvas, intending to
correct her work.
“Give me your palette,” he said. “What is this? and this? and this?”
She told him the different colours.
“Hideous!” he replied, “and impossible! Where are so and so, and this
and that?”
She had none of them. No one in the room was lucky enough to possess
the colours he sought, so Whistler sent out for them and chatted
pleasantly until the messenger’s return, having told the maiden in the
meantime to clean her palette of all the vivid hues she had displayed
upon it. The paints and the clean palette arrived together. Jimmy
arranged them according to his taste.
Public-domain text, read in full here on John Shaqi.
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