Thirteen Years of a Busy Woman's LifeAlec-Tweedie, Mrs. (Ethel)
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Thirteen Years of a Busy Woman's Life
Alec-Tweedie, Mrs. (Ethel)
Alec-Tweedie, Mrs. (Ethel), -1940; Great Britain -- Intellectual life -- 20th century
“Now,” he said, “that palette is fit to paint with, and so ends your
first lesson. Study it, and paint only with those colours until you see
me again.”
Before the day was finished every girl had arranged her palette
according to the plan, and the men in the other room likewise followed
suit. When the artist paid his next visit to the studio, he found the
palette he had himself prepared fixed upon the wall and immortalised
with a wreath, while underneath was a label announcing, “This palette
has been arranged according to the regulation of James Whistler, the
artist.”
Whistler’s marriage was the strangest affair in the world, for he was
probably about sixty at the time, and his bride, Mrs. Godwin, a widow,
although a pretty woman, was by no means young. Yet the romance and
enthusiasm they developed were delightful, and during the ten years
or so of his married life Whistler became infinitely more human and
contented in every way. They were very happy; indeed, his tender
solicitude for his wife’s welfare on every occasion, and his anxiety
and concern during her long illness, were a revelation to those who
only thought of Whistler as a quarrelsome egoist wrapped entirely in
himself. Hidden away, he had a kind heart, although he chose generally
to conceal it. His wife’s loss was the tragedy of his existence, and he
was never the same man afterwards.
Henry Labouchere wrote: “So my old friend Jemmy Whistler is dead. I
first knew him in 1854 at Washington. He had not then developed into
a painter, but was a young man who had recently left the West Point
Military College, and was considering what next he should do. He was
fond of balls, but he had not a dress-coat, so he attended them in
a frock-coat, the skirts of which were turned back to simulate an
evening-coat.
“I believe that I was responsible for his marriage to the widow of Mr.
Godwin, the architect. She was a remarkably pretty woman and very
agreeable, and both she and he were thorough Bohemians. I was dining
with them and some others one evening at Earl’s Court. They were
obviously greatly attracted to each other, and in a vague sort of way
they thought of marrying. So I took the matter in hand to bring things
to a practical point. ‘Jemmy,’ I said, ‘will you marry Mrs. Godwin?’
‘Certainly,’ he replied. ‘Mrs. Godwin,’ I said, ‘will you marry Jemmy?’
‘Certainly,’ she replied. ‘When?’ I asked. ‘Oh, some day,’ said
Whistler. ‘That won’t do,’ I said; ‘we must have a date.’ So they both
agreed that I should choose the day, tell them what church to come to
for the ceremony, provide a clergyman, and give the bride away. I fixed
an early date, and got the then Chaplain of the House of Commons to
perform the ceremony. It took place a few days later.
Public-domain text, read in full here on John Shaqi.
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