Thirty Strange StoriesWells, H. G. (Herbert George)
Science
Thirty Strange Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories, English
Then suddenly his frenzy left him at the voice of a woman shrieking so
that it filled the room. He looked up and crouched motionless as he
heard and saw the study door closing and heard the patter of feet
retreating in panic. Then he looked down and saw the thing that had once
been the face of Findlay. For an awful minute he remained kneeling
agape.
Then he staggered to his feet and stood over Findlay’s body in the glow
of the dying fire, like a man awakening from a nightmare. Suddenly he
perceived the _bulla_ on his hand, covered with blood and hair, and
began to understand what had happened. In a sudden horror he flung the
diabolical thing from him. It struck the floor near the cigar cabinet,
rolled for a yard or so on its edge, and came to rest in almost the
position it had occupied when he had first set eyes on it. To Temple’s
excited imagination it seemed to be lying at exactly the same spot, the
sole and sufficient cause of Findlay’s death and his own.
A SLIP UNDER THE MICROSCOPE
Outside the laboratory windows was a watery grey fog, and within a close
warmth and the yellow light of the green-shaded gas lamps that stood two
to each table down its narrow length. On each table stood a couple of
glass jars containing the mangled vestiges of the crayfish, mussels,
frogs, and guinea-pigs, upon which the students had been working, and
down the side of the room, facing the windows, were shelves bearing
bleached dissections in spirit, surmounted by a row of beautifully
executed anatomical drawings in white wood frames and overhanging a row
of cubical lockers. All the doors of the laboratory were panelled with
blackboard, and on these were the half-erased diagrams of the previous
day’s work. The laboratory was empty, save for the demonstrator, who sat
near the preparation-room door, and silent, save for a low, continuous
murmur, and the clicking of the rocker microtome at which he was
working. But scattered about the room were traces of numerous students:
hand-bags, polished boxes of instruments, in one place a large drawing
covered by newspaper, and in another a prettily bound copy of “News from
Nowhere,” a book oddly at variance with its surroundings. These things
had been put down hastily as the students had arrived and hurried at
once to secure their seats in the adjacent lecture-theatre. Deadened by
the closed door, the measured accents of the professor sounded as a
featureless muttering.
Public-domain text, read in full here on John Shaqi.
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