Thirty Strange StoriesWells, H. G. (Herbert George)
Science
Thirty Strange Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories, English
Then Barnaby, the editor of the “Fiery Cross,” made me—in spite of my
spasmodic efforts to escape—Dramatic Critic. He is a fine, healthy man,
Barnaby, with an enormous head of frizzy black hair and a convincing
manner; and he caught me on the staircase going to see Wembly. He had
been dining, and was more than usually buoyant. “Hullo, Cummins!” he
said. “The very man I want!” He caught me by the shoulder or the collar
or something, ran me up the little passage, and flung me over the
waste-paper basket into the arm-chair in his office. “Pray be seated,”
he said, as he did so. Then he ran across the room and came back with
some pink and yellow tickets and pushed them into my hand. “Opera
Comique,” he said, “Thursday; Friday, the Surrey; Saturday, the
Frivolity. That’s all, I think.”
“But—” I began.
“Glad you’re free,” he said, snatching some proofs off the desk and
beginning to read.
“I don’t quite understand,” I said.
“_Eigh?_” he said, at the top of his voice, as though he thought I had
gone, and was startled at my remark.
“Do you want me to criticise these plays?”
“Do something with ’em— Did you think it was a treat?”
“But I can’t.”
“Did you call me a fool?”
“Well, I’ve never been to a theatre in my life.”
“Virgin soil.”
“But I don’t know anything about it, you know.”
“That’s just it. New view. No habits. No _clichés_ in stock. Ours is a
live paper, not a bag of tricks. None of your clockwork, professional
journalism in this office. And I can rely on your integrity—”
“But I’ve conscientious scruples—”
He caught me up suddenly and put me outside his door. “Go and talk to
Wembly about that,” he said. “He’ll explain.”
As I stood perplexed, he opened the door again, said, “I forgot this,”
thrust a fourth ticket into my hand (it was for that night—in twenty
minutes’ time), and slammed the door upon me. His expression was quite
calm, but I caught his eye.
I hate arguments. I decided that I would take his hint and become (to my
own destruction) a Dramatic Critic. I walked slowly down the passage to
Wembly. That Barnaby has a remarkably persuasive way. He has made few
suggestions during our very pleasant intercourse of four years that he
has not ultimately won me round to adopting. It may be, of course, that
I am of a yielding disposition; certainly I am too apt to take my colour
from my circumstances. It is, indeed, to my unfortunate susceptibility
to vivid impressions that all my misfortunes are due. I have already
alluded to the slight stammer I had acquired from a schoolfellow in my
youth. However, this is a digression—I went home in a cab to dress.
Public-domain text, read in full here on John Shaqi.
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