This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Huggo, very red, increasingly difficult to understand, said, “It’s a
plain enough question. It’s a plain enough question. I’ve come here to
be perfectly frank and plain and plain enough question. The fact is I
don’t know very much about her plain enough people.”
Rosalie broke out of the frozen stupefaction that had numbed her.
“Huggo, you must know. You must know who her people are.”
Huggo turned a very slow gaze around from his father to his mother. He
looked at her. He said with astonishing violence, “Well, I tell you I
don’t. People! What have her people got to do with it? I haven’t married
her people. She’s my little girl and I’ve married her, not her people.
Isn’t that enough for you?”
Harry got up and went over to him. “Look here, you’d better run along.
You’re not in a fit state to talk to your mother. I’m not sure you’re
in a fit state to talk to any-body or to know what you’re saying. You’d
better go, my boy. We’ll go into this in the morning. Come round early
in the morning. We’ll settle it then.”
He was passing with Huggo through the door when Doda, equipped for her
dance, came running down the stairs. “Hull-o, Huggo! Why, I haven’t seen
you for weeks. Where have you been?”
Huggo, standing unsteadily, unsteadily regarded her. “Point is, where
are you going? All dressed up and somewhere to go! I’ll bet you have!
I’ve seen you jazzing about the place when you haven’t seen me, Dods.
And heard about you! There was a chap with me watching you at the Riddle
Club the other night told me some pretty fierce--”
“Oh, dash, I’ve left my fan,” cried Doda, and turned and ran back up the
stairs.
Huggo called, “I say, Dods. I’m in a row. So’ll you be one day, if you
don’t look out for yourself.”
Doda’s voice: “Oh, dry up--you fool!”
Strike on!
CHAPTER IV.
Her Doda! The one that was her baby girl, that was her tiny daughter!
The one that was to be her woman treasury in which she’d pour her woman
love; that was to be her self’s own self, her heart’s own heart, her
tiny woman-bud to be a woman with her in the house of Harry and of
Huggo! Her Doda!
Look, there she is! There’s lovely Doda! She’s fourteen. It’s early in
1915, in the first twelve months of the war. (That war!) She’s at that
splendid school. She’s been there nearly three years. She loves it.
She’s never so happy as when she’s there, except, judging by her
chatter, when she’s away in the holidays at the house of one of her
friends. It’s at home--when she is at home--that she’s never really
happy. She’s so dull, she always says, at home. She always wants to be
doing something, to be seeing something, to be playing with somebody.
She can’t bear being in the house. She can’t bear being, of an evening,
just alone with Rosalie. “Oh, dear!” she’s always saying. “Oh, dear, I
do wish it would hurry up and be term time again.”
“Darling, you are a restless person,” Rosalie says.
“Well, mother, it is dull just sticking here.”
Public-domain text, read in full here on John Shaqi.
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