This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
This was in 1917. She was beginning rather to hate school now. She
wanted to be out and doing some war work of some kind. Oh, those
sickening scarves and things they were eternally knitting, that wasn’t
war work. It was fun at first. They were fed to death with doing them
now. She didn’t much want to go into a hospital or into any of these
women’s corps. They were a jolly sight too cooped up in those things
from what she’d heard. She wanted to go into one of the Government
offices and do clerical work. Several of the school Old Girls who had
been there with her were doing that and it was the most ripping rag. Of
course you had to work, and of course it was jolly good patriotic work,
but you had a topping time in many ways. That was what she wanted to do.
Oh, mother, do let her chuck school now and get to it! Not till she was
seventeen? Well, it was sickening. Well, it was only another term, thank
goodness.
It was in the holidays--in her brief days at home of the holidays--in
which these wishes were expressed, that Rosalie found Doda was
corresponding with officers at the front.
Doda was appallingly untidy in her habits. She was out one evening to a
party--she managed to get a considerable number of parties into her dull
days at home. Rosalie, come in from Field’s, peeped into her bedroom to
find her. She had not known that Doda was going out. The bedroom cried
aloud that Doda had gone out. Drawers were open and articles of dress
hanging out of them. One drawer, no doubt stubborn in its yieldings, was
bodily out in the middle of the room. Clothes were on the floor.
Clothes strewed the bed. Powder was all over the mirror. It was as if a
whirlwind had passed through the room.
“Powder!” murmured Rosalie.
The state of the room dismayed her. The intense orderliness of her own
character forbade her ringing for a maid. She simply could not look at
untidiness like that without tidying it. She started to tidy. Doda’s box
was open. Its contents looked as if a dog had burrowed in it, throwing
up the things as he worked down. If anything was to go in, everything
must first come out. Rosalie lifted out an initial clearance.
There lay scattered beneath it quite half a dozen photographs of
officers in khaki.
There were all inscribed. “To the school kid.” “Wishing you were here.”
“With kisses.” “Till we meet.” And with slangy nicknames of the writers.
There lay with them a number of letters, all in their envelopes. There
lay also a sheet of paper covered in Doda’s bold handwriting. It began
“Wonderful Old Thing.”
Rosalie had not touched these evidences of an unknown interest in Doda’s
life. She stooped, staring upon them, the lifted bundle of clothes in
her hand. The stare that took in “Wonderful Old Thing” took in also the
first few lines. They were not nice. But she oughtn’t to read it. One
didn’t do that kind of thing. She replaced the bundle and closed the
box. Then she tidied the room and wiped the mirror.
Public-domain text, read in full here on John Shaqi.
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