"There, there! we must not treat it like that, old lady. Perhaps we
have grown to be old and prejudiced. I own I have."
"Oh, no, no, my dear!"
"Yes, but I have. As soon as this seemed to be a certainty I began to
try and find a hole in the fellow's coat."
"In Mr Hallam's coat, love? Oh, you wouldn't find that."
"No," said the doctor dryly, as he smiled down in the gentle old face,
"not one. There, there! you must let it go! Now then, old lady, you
must smile and look happy, here's Milly coming down."
Mrs Luttrell shook her head, and her wistful look seemed to say that
she would never feel happy again; but as Millicent entered, in plain
white satin, cut in the high-waisted, tight fashion of the period, and
with a necklet of pearls for her only ornament, a look of pride and
pleasure came into the mother's face, and she darted a glance at her
husband, which he caught and interpreted, "I will think only of her."
"Oh, Milly!" she cried, "that necklace! what lovely pearls!"
"Robert's present, dear. I was to wear them to-night. Are they not
lovely?"
"Almost as lovely as their setting," said the doctor to himself, as he
kissed his child tenderly. "Why, Milly," he said aloud, "you look as
happy as a bird!"
She laid her cheek upon his breast, and remained silent for a few
moments, with half-closed eyes. Then, raising her head, she kissed him
lovingly.
"I am, father dear," she said in a low voice, full of the calm and
peaceful joy that filled her breast. "I am, father, I am, mother--so
happy!" She paused, and then, laughing gently, added: "So happy I feel
ready to cry."
It was to be a quiet evening, to which a few friends were invited; but
it was understood as being an open acknowledgment of Millicent's
engagement to Robert Hallam, and in this spirit the visitors came.
Miss Heathery generally arrived last at the social gatherings. It gave
her entry more importance, and, at her time of life, she could not
afford to dispense with adventitious aids. But there was the scent of
matrimony in this little party, and she was dressed an hour too soon,
and arrived first in the well-lit drawing-room.
"My darling!" she whispered, as she kissed Millicent.
That was all; but her voice and look were full of pity for the victim
chosen for the next sacrifice, and she turned away towards the piano to
get out her handkerchief, and drop a parting tear.
It was a big tear, one of so real and emotional a character that it
brimmed over, fell on her cheekbone, and hopped into her reticule just
as she was drawing open the top, and was lost in the depths within.
There was as much sorrow for herself as emotion on Millicent Luttrell's
behalf. Had not Millicent robbed her of the chance of an offer? Mr
Hallam might never have proposed: but still he might.
Public-domain text, read in full here on John Shaqi.
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