Transcriber Note:
Obvious typos and punctuation errors corrected.
Italic text is represented by underscores surrounding the _italic
text_.
Small capitals have been converted to ALL CAPS.
A small decoration on the title page is represented by [Decoration].
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THIS
MISERY _of_ BOOTS
BY
H. G. WELLS
_Author of “Socialism and the Family,” “In the
Days of the Comet,” “A Modern
Utopia,” etc._
[Decoration]
BOSTON
THE BALL PUBLISHING CO.
1908
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THIS MISERY OF
BOOTS
CHAPTER I
THE WORLD AS BOOTS AND SUPERSTRUCTURE
“It does not do,” said a friend of mine, “to think about boots.” For my
own part, I have always been particularly inclined to look at boots, and
think about them. I have an odd idea that most general questions can be
expressed in terms of foot-wear—which is perhaps why cobblers are often
such philosophical men. Accident it may be, gave me this persuasion. A
very considerable part of my childhood was spent in an underground
kitchen; the window opened upon a bricked-in space, surmounted by a
grating before my father’s shop window. So that, when I looked out of
the window, instead of seeing—as children of a higher upbringing would
do—the heads and bodies of people, I saw their under side. I got
acquainted indeed with all sorts of social types as boots simply,
indeed, as the soles of boots; and only subsequently, and with care,
have I fitted heads, bodies, and legs to these pediments.
There would come boots and shoes (no doubt holding people) to stare at
the shop, finicking, neat little women’s boots, good sorts and bad
sorts, fresh and new, worn crooked in the tread, patched or needing
patching; men’s boots, clumsy and fine, rubber shoes, tennis shoes,
goloshes. Brown shoes I never beheld—it was before that time; but I have
seen pattens. Boots used to come and commune at the window, duets that
marked their emotional development by a restlessness or a kick.... But
anyhow, that explains my preoccupation with boots.
But my friend did not think it _did_, to think about boots.
Public-domain text, read in full here on John Shaqi.
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