Authors, Scottish -- 19th century -- Biography; Carlyle, Thomas, 1795-1881; Historians -- Great Britain -- Biography
[4] _Reminiscences_, vol. ii. pp. 18, 19.
[5] Now 2 Spey Street.
[6] Masson's 'Edinburgh Sketches and Memories,' pp. 329-30.
CHAPTER II
CRAIGENPUTTOCK--LITERARY EFFORTS
Carlyle was feeling the force of Scott's remark that literature was a
bad crutch--his prospects being far from bright. The Carlyles had been a
little over eighteen months at Comely Bank, when their extensive circle
of friends were surprised to hear of their intended withdrawal to
Craigenputtock. Efforts were made to dissuade Carlyle from pursuing what
at the time appeared a suicidal course. He was the intimate associate of
the brilliant Jeffrey; he was within the charmed circle of Edinburgh
Reviewers; he had laid the foundation of a literary reputation.
Outwardly all seemed well with Carlyle; but 'the step,' himself says,
'had been well meditated, saw itself to be founded on irrefragable
considerations of health, _finance_, &c., &c., unknown to bystanders,
and could not be forborne or altered.' Next to his marriage with Miss
Welsh, Carlyle's retirement to the howling wilds of Craigenputtock at
that juncture was the most momentous step in his long life. He was
conscious of his own powers, and he clearly discerned how those powers
could best be utilised and developed. Hence his determination to bid
adieu to Edinburgh. And in that resolve he was fortified by the loyal
support of his wife.
Jeffrey promised to visit the Carlyles at Craigenputtock as soon as they
got settled. Meanwhile, they stayed a week at his own house in Moray
Place, after their furniture was on the road, and they were waiting till
it should arrive and 'render a new home possible amid the moors and the
mountains.' 'Of our history at Craigenputtock,' says Carlyle, 'there
might a great deal be written which might amuse the curious; for it was
in fact a very singular scene and arena for such a pair as my Darling
and me, with such a Life ahead.... It is a History I by no means intend
to write, with such or with any object. To me there is a _sacredness_ of
interest in it consistent only with _silence_. It was the field of
endless nobleness and beautiful talent and virtue in Her who is now
gone; also of good industry, and many loving and blessed thoughts in
myself, while living there by her side. Poverty and mean Obstruction had
given origin to it, and continued to preside over it, but were
transformed by human valour of various sorts into a kind of victory and
royalty: something of high and great dwelt in it, though nothing could
be smaller and lower than very many of the details.'[7]
Public-domain text, read in full here on John Shaqi.
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